{"id":24537,"date":"2024-02-07T08:00:05","date_gmt":"2024-02-07T14:00:05","guid":{"rendered":"https:\/\/mickyandoniehn.com\/radio\/?p=24537"},"modified":"2024-01-30T08:50:54","modified_gmt":"2024-01-30T14:50:54","slug":"eva-ayllon","status":"publish","type":"post","link":"https:\/\/mickyandoniehn.com\/radio\/2024\/02\/07\/eva-ayllon\/","title":{"rendered":"Eva Ayll\u00f3n"},"content":{"rendered":"

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Fecha de Nacimiento:<\/strong> 7 de febrero de 1956<\/div>\n

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Biograf\u00eda:<\/strong><\/div>\n

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Conocida tambi\u00e9n como La Reina del Land\u00f3, ha sido ganadora del Grammy Latino a la Excelencia Musical por su aporte a la cultura, y ha sido nominada diez veces para Mejor \u00c1lbum Folkl\u00f3rico. Considerada como la mejor cultora de la m\u00fasica criolla y afroperuana, la versatilidad de su voz le permiti\u00f3 empezar a incursionar en diversos g\u00e9neros musicales, caracter\u00edstica que la ha llevado a compartir escenario con grandes artistas de talla internacional como: Gilberto Santa Rosa, Soledad Pastorutti, Marc Anthony, Armando Manzanero, Daniela Darcourt, Raphael, Diego el Cigala, Jos\u00e9 Luis Rodr\u00edguez, Christian Yaip\u00e9n, Kalimba, Mercedes Sosa, Inti-Illimani Hist\u00f3rico, Illapu, Olga Ta\u00f1\u00f3n, entre otros.<\/div>\n

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Es considerada junto con Susana Baca y Tania Libertad, como los m\u00e1s grandes baluartes de la cultura de su pa\u00eds en el mundo. Y con una carrera ininterrumpida de 50 a\u00f1os la ha consolidado como \u00eddolo mundial del folclore.<\/div>\n

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Fue criada en el seno de una tradicional familia lime\u00f1a, la cual era encabezada por su abuela. Es devota del Se\u00f1or de los Milagros. Su nombre art\u00edstico es Eva Ayll\u00f3n en honor a su abuela Eva.<\/div>\n

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Desde muy ni\u00f1a tuvo claro a sus referentes musicales a nivel de la composici\u00f3n: Alicia Magui\u00f1a, Chabuca Granda, Augusto Polo Campos, Jos\u00e9 Escajadillo, Alberto Haro y Mario Cavagnaro; quienes han sido sus predilectos al momento de entregar su repertorio.<\/div>\n
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Sus padres son Carlos Alberto Ayll\u00f3n Garc\u00eda y Renee Urbina. Ya con tan solo 3 a\u00f1os de edad mostr\u00f3 muchas cualidades para el canto, y es gracias al apoyo incondicional de su querida abuela que inicia su vida art\u00edstica, cantando con \u00e9xito en eventos de su colegio Zoila Aurora C\u00e1ceres, adem\u00e1s de programas juveniles de radio y televisi\u00f3n; con ello ayud\u00f3 a su familia estudiando y trabajando desde muy peque\u00f1a.<\/div>\n

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De muy joven realizaba algunos ensayos en la casa del conocido guitarrista Javier Munayco Garc\u00eda en el distrito popular de La Victoria, \u00e9l ayud\u00f3 a corregir algunas posturas relacionadas con sus movimientos corporales e interpretaci\u00f3n que le han sido de mucha utilidad posteriormente en su carrera.<\/div>\n

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Cuando ella empieza a ser algo conocida en el \u00e1mbito de la m\u00fasica popular, lo hace paralelamente a otras dos connotadas cantantes del Per\u00fa, la gran Mar\u00eda Obreg\u00f3n y Luc\u00eda de la Cruz.<\/div>\n

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Wikipedia in English<\/strong><\/div>\n

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Date of Birth:<\/strong> February 7, 1956<\/div>\n

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Biography:<\/strong><\/div>\n

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Also known as La Reina del Land\u00f3, she has won the Latin Grammy for Musical Excellence for her contribution to culture, and has been nominated ten times for Best Folk Album. Considered the best cultist of Creole and Afro-Peruvian music, the versatility of her voice allowed her to start venturing into various musical genres, a characteristic that has led her to share the stage with great international artists such as: Gilberto Santa Rosa, Soledad Pastorutti, Marc Anthony, Armando Manzanero, Daniela Darcourt, Raphael, Diego el Cigala, Jos\u00e9 Luis Rodr\u00edguez, Christian Yaip\u00e9n, Kalimba, Mercedes Sosa, Historic Inti-Illimani, Illapu, Olga Ta\u00f1\u00f3n, among others.<\/div>\n
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She is considered, along with Susana Baca and Tania Libertad, as the greatest bastions of her country’s culture in the world. And with an uninterrupted career of 50 years, she has consolidated her as a world idol of folklore.<\/div>\n
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She was raised in a traditional Lima family, which was headed by her grandmother. She is devoted to the Lord of Miracles. Her stage name is Eva Ayll\u00f3n in honor of her grandmother, Eva de Ella.<\/div>\n
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From a very young age she was clear about her musical references at the composition level: Alicia Magui\u00f1a, Chabuca Granda, Augusto Polo Campos, Jos\u00e9 Escajadillo, Alberto Haro and Mario Cavagnaro; who have been her favorites at the time of delivering her repertoire.<\/div>\n

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Her parents are Carlos Alberto Ayll\u00f3n Garc\u00eda and Renee Urbina. When she was only 3 years old, she showed many qualities for singing, and it is thanks to the unconditional support of her beloved grandmother that she began her artistic life, singing successfully at events at her Zoila Aurora C\u00e1ceres school, as well as youth radio programs and TV; With this, she helped her family by studying and working from a very young age.<\/div>\n

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When he was very young he performed some rehearsals at the house of the well-known guitarist Javier Munayco Garc\u00eda in the popular district of La Victoria, he helped correct some postures related to his body movements and interpretation that have been very useful later in his career.<\/div>\n

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When she begins to be somewhat known in the field of popular music, she does so in parallel with two other well-known singers from Peru, the great Mar\u00eda Obreg\u00f3n and Luc\u00eda de la Cruz.<\/div>\n

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Discography<\/strong><\/div>\n

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\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n
Temas Folclor<\/strong><\/td>\nEscuchar tema<\/strong><\/td>\nPublicaci\u00f3n<\/strong><\/td>\n<\/tr>\n
<\/td>\nLos Kipus con Eva<\/strong><\/td>\n1977<\/strong><\/td>\n<\/tr>\n
1<\/td>\nReg\u00e1\u00f1ame<\/td>\n<\/td>\n<\/tr>\n
2<\/td>\nMal Paso<\/td>\n<\/td>\n<\/tr>\n
3<\/td>\nTristeza Por Tu Amor<\/td>\n<\/td>\n<\/tr>\n
4<\/td>\nCompad\u00e9cete De Mi<\/td>\n<\/td>\n<\/tr>\n
5<\/td>\nY Nos Pusimos A Llorar<\/td>\n<\/td>\n<\/tr>\n
6<\/td>\nChola Mentirosa<\/td>\n<\/td>\n<\/tr>\n
7<\/td>\nSi Tu No Estas<\/td>\n<\/td>\n<\/tr>\n
8<\/td>\nNo S\u00e9<\/td>\n<\/td>\n<\/tr>\n
9<\/td>\nSolo Un Coraz\u00f3n<\/td>\n<\/td>\n<\/tr>\n
10<\/td>\nMi Tumbes<\/td>\n<\/td>\n<\/tr>\n
11<\/td>\nCita De Amor<\/td>\n<\/td>\n<\/tr>\n
12<\/td>\nChorina<\/td>\n<\/td>\n<\/tr>\n
<\/td>\n<\/td>\n<\/td>\n<\/tr>\n
<\/td>\nEsta Noche<\/strong><\/td>\n1979<\/strong><\/td>\n<\/tr>\n
1<\/td>\nIdolatr\u00eda<\/td>\n<\/td>\n<\/tr>\n
2<\/td>\nCardo O Ceniza<\/td>\n<\/td>\n<\/tr>\n
3<\/td>\nDesd\u00e9n \/ Rebeca<\/td>\n<\/td>\n<\/tr>\n
4<\/td>\nMa\u00f1ana Por La Ma\u00f1ana<\/td>\n<\/td>\n<\/tr>\n
5<\/td>\nRuperta<\/td>\n<\/td>\n<\/tr>\n
6<\/td>\nLa Noche De Tu Ausencia<\/td>\n<\/td>\n<\/tr>\n
7<\/td>\nTaita Guaranguito<\/td>\n<\/td>\n<\/tr>\n
8<\/td>\nBandida \/ De Puerta En Puerta<\/td>\n<\/td>\n<\/tr>\n
9<\/td>\nToro Mata<\/td>\n<\/td>\n<\/tr>\n
10<\/td>\nLa Gripe Llego A Chep\u00e9n<\/td>\n<\/td>\n<\/tr>\n
11<\/td>\nZa\u00f1a Negra<\/td>\n<\/td>\n<\/tr>\n
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<\/td>\nAl ritmo de..<\/strong><\/td>\n1980<\/strong><\/td>\n<\/tr>\n
1<\/td>\nRemembranzas<\/td>\n<\/td>\n<\/tr>\n
2<\/td>\nPasion De Hinoojo \/ \u00cddolo<\/td>\n<\/td>\n<\/tr>\n
3<\/td>\nEl Arrullo<\/td>\n<\/td>\n<\/tr>\n
4<\/td>\nEsclava De Tu Amor<\/td>\n<\/td>\n<\/tr>\n
5<\/td>\nFina Estampa<\/td>\n<\/td>\n<\/tr>\n
6<\/td>\nCallao<\/td>\n<\/td>\n<\/tr>\n
7<\/td>\nEnga\u00f1ada \/ Noche Tras Noche<\/td>\n<\/td>\n<\/tr>\n
8<\/td>\nHay D\u00edas Como Hoy<\/td>\n<\/td>\n<\/tr>\n
9<\/td>\nNegro Libre<\/td>\n<\/td>\n<\/tr>\n
10<\/td>\nNoche De Amargura \/ No Sufras Corazon<\/td>\n<\/td>\n<\/tr>\n
11<\/td>\nCoplas A Fray Martin<\/td>\n<\/td>\n<\/tr>\n
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<\/td>\nSe\u00f1oras y Se\u00f1ores<\/strong><\/td>\n1981<\/strong><\/td>\n<\/tr>\n
1<\/td>\nSoledad Sola<\/td>\n<\/td>\n<\/tr>\n
2<\/td>\nIron\u00eda \/ Esperar\u00e9<\/td>\n<\/td>\n<\/tr>\n
3<\/td>\nNo Valent\u00edn<\/td>\n<\/td>\n<\/tr>\n
4<\/td>\nLa Guardia Nueva<\/td>\n<\/td>\n<\/tr>\n
5<\/td>\nEl Tamalito<\/td>\n<\/td>\n<\/tr>\n
6<\/td>\nDestino Sin Amor<\/td>\n<\/td>\n<\/tr>\n
7<\/td>\nLa Cholita Del Puente \/ El Payaso<\/td>\n<\/td>\n<\/tr>\n
8<\/td>\nEl Gallo Camar\u00f3n<\/td>\n<\/td>\n<\/tr>\n
9<\/td>\nAs\u00ed Te Quiero \/ \u00bfPor Que No Volver\u00e1s?<\/td>\n<\/td>\n<\/tr>\n
10<\/td>\nQuisiera Ser Caramelo<\/td>\n<\/td>\n<\/tr>\n
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<\/td>\nCuando Hacemos El Amor<\/strong><\/td>\n<\/td>\n<\/tr>\n
1<\/td>\nCuando Hacemos El Amor<\/td>\n<\/td>\n<\/tr>\n
2<\/td>\nCristal Herido<\/td>\n<\/td>\n<\/tr>\n
3<\/td>\nZa, Za, Za<\/td>\n<\/td>\n<\/tr>\n
4<\/td>\nPuedes Irte – Angustia<\/td>\n<\/td>\n<\/tr>\n
5<\/td>\nSe\u00f1or, Se\u00f1or<\/td>\n<\/td>\n<\/tr>\n
6<\/td>\nMedia Noche<\/td>\n<\/td>\n<\/tr>\n
7<\/td>\nEl Camino Que Perd\u00ed<\/td>\n<\/td>\n<\/tr>\n
8<\/td>\nCari\u00f1ito – Quisiera<\/td>\n<\/td>\n<\/tr>\n
9<\/td>\nSamba Malat\u00f3<\/td>\n<\/td>\n<\/tr>\n
10<\/td>\nRecordando A Mi Padre<\/td>\n<\/td>\n<\/tr>\n
11<\/td>\nEnt\u00e9rate<\/td>\n<\/td>\n<\/tr>\n
12<\/td>\nLe Herida Oscura<\/td>\n<\/td>\n<\/tr>\n
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Cr\u00e9ditos tomados de Wikipedia:<\/div>\n
https:\/\/es.wikipedia.org\/wiki\/Eva_Ayll%C3%B3n<\/a><\/div>\n
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