{"id":28844,"date":"2022-08-26T12:22:36","date_gmt":"2022-08-26T18:22:36","guid":{"rendered":"https:\/\/mickyandoniehn.com\/radio\/?page_id=28844"},"modified":"2022-09-01T09:27:48","modified_gmt":"2022-09-01T15:27:48","slug":"charly-garcia","status":"publish","type":"page","link":"https:\/\/mickyandoniehn.com\/radio\/charly-garcia\/","title":{"rendered":"Charly Garcia"},"content":{"rendered":"

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Fecha de Nacimiento:<\/strong> 23 de octubre de 1951<\/div>\n

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Biograf\u00eda<\/strong><\/div>\n

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Charly Garc\u00eda es uno de los m\u00e1s reconocidos tecladistas, cantantes, compositores y productores latinoamericanos de rock, ha formado parte de bandas como Sui Generis (1972-1975), Porsuigieco (1976), La M\u00e1quina de Hacer P\u00e1jaros (1977-1978), luego con Ser\u00fa Gir\u00e1n (1978-1982), una super banda que reun\u00eda a algunos de los m\u00e1s reconocidos m\u00fasicos de la Argentina: el guitarrista\/multi-instrumentista\/cantante David Leb\u00f3n, un bajista\/tecladista\/cantante de nombre Pedro Aznar, que en esa \u00e9poca contaba con 19 a\u00f1os, y Oscar Moro, un hist\u00f3rico baterista que form\u00f3 parte de Los Gatos (banda pionera del rock en castellano), dejando un legado de discos y canciones que quedaron para siempre en la historia de la m\u00fasica argentina.<\/div>\n

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Charly ha estado inmerso en un mundo de controversias y esc\u00e1ndalos por sus explosivas declaraciones, por sus problemas con las drogas y el alcohol que ya lo han llevado a la decadencia f\u00edsica y rehabilitaci\u00f3n. Sin embargo, para muchos, su talento genial sigue intacto y es sin duda ya una leyenda viviente de la cultura popular latinoamericana.<\/div>\n

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Desde 1982 y hasta la actualidad se extiende su etapa de solista con 23 discos publicados, siendo por mucho tiempo, para \u00e9l mismo, su disco favorito “C\u00f3mo Conseguir Chicas”, editado en 1989, en donde plasma definitivamente arreglos mel\u00f3dicos ya gestados en la banda sonora para la pelicula “Lo que Vendr\u00e1”, en 1988.<\/div>\n

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Due\u00f1o de un o\u00eddo absoluto y de una sensibilidad extrema para captar el inconsciente colectivo, Charly aun hoy con 57 a\u00f1os ensaya todos los d\u00edas. Si bien tanto la producci\u00f3n de los espect\u00e1culos como la composici\u00f3n y grabaci\u00f3n de los discos lo tienen como figura principal, Charly ha incorporado en sus bandas solistas a m\u00fasicos argentinos de primer nivel.<\/div>\n

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En los a\u00f1os noventa comenz\u00f3 con su eslogan \u00abSay No More\u00bb, por el cual ahora se lo nombra como \u00abM\u00edster SNM\u00bb.<\/div>\n

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Durante el 2004 Charly Garc\u00eda da una gira por todo el pa\u00eds, cuyo show de m\u00e1s de tres horas incluye temas de todas las \u00e9pocas, siendo visto por un p\u00fablico de lo m\u00e1s heterog\u00e9neo en cuanto a edades. Su gira por el sur del pa\u00eds deja resultados hist\u00f3ricos, como en Ushuaia (Tierra del Fuego), la ciudad m\u00e1s austral de Argentina, cuando con una temperatura de \u20132 \u00b0C uno de cada cuatro habitantes asisti\u00f3 a su show.<\/div>\n

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El a\u00f1o 2006 lo encuentra presentando Kill Gil, su \u00faltima producci\u00f3n discogr\u00e1fica (a\u00fan sin editar). En esta misma etapa est\u00e1 desarrollando su \u00abconcierto para auriculares\u00bb en el cual la m\u00fasica puede ser apreciada en frecuencia FM. Lo interesante es que dicho sonido s\u00f3lo es percibido en aquellos fans que tengan consigo una radio.<\/div>\n

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Actualmente Charly Garc\u00eda se encuentra rehabilitado y est\u00e1 dando giras y conciertos por todo el mundo, edit\u00f3 ya dos discos “El concierto Subacu\u00e1tico” que registra su vuelta a los escenarios. El t\u00edtulo de disco es una auto-parodia el proyecto de un concierto para p\u00fablico con auriculares escuchado bajo el agua, lo que sucede es que la noche de esperado retorno y por eso decidi\u00f3 ponerle es nombre al \u00e1lbum que contiene un CD con la pel\u00edcula del concierto.<\/div>\n

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A principios de 2011 edita finalmente Kill Gil, retomando los demos, remezcl\u00e1ndolos, regrabado voces e instrumentaci\u00f3n su nueva banda, pero en si es un testimonio del anterior alocado y atormentado Charly Garc\u00eda que sufr\u00eda sus excesos ya, segu\u00eda tocando pero ya su consumo de estupefacientes era muy elevado, afectando su calidad de vida.<\/div>\n

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Wikipedia in English<\/strong><\/div>\n

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Date of Birth:<\/strong> October 23, 1951<\/div>\n

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Biography<\/strong><\/div>\n

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Charly Garc\u00eda is one of the most recognized Latin American keyboardists, singers, composers and producers of rock, he has been part of bands such as Sui Generis (1972-1975), Porsuigieco (1976), La Maquina de Make P\u00e1jaros (1977-1978), then with Ser\u00fa Gir\u00e1n (1978-1982), a super band that brought together some of the most recognized musicians in Argentina: guitarist \/ multi-instrumentalist \/ singer David Leb\u00f3n, a bassist \/ keyboardist \/ singer named Pedro Aznar, who at that time He was 19 years old, and Oscar Moro, a historical drummer who was part of Los Gatos (a pioneering rock band in Castilian Spanish), leaving a legacy of records and songs that remained forever in the history of Argentine music.<\/div>\n

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Charly has been immersed in a world of controversies and scandals due to his explosive statements, his problems with drugs and alcohol that have already led to physical decline and rehabilitation. However, for many, his genius talent remains intact and he is undoubtedly already a living legend of Latin American popular culture.<\/div>\n
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Since 1982 and up to the present, his solo stage has been extended with 23 albums published, for a long time his favorite album “How to Get Girls”, released in 1989, where he definitively captures melodic arrangements already gestated in the band. sound for the film “What will come”, in 1988.<\/div>\n
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Owner of absolute pitch and extreme sensitivity to capture the collective unconscious, Charly, even today at 57 years old, rehearses every day. Although both the production of the shows and the composition and recording of the discs have him as their main figure, Charly has incorporated top-level Argentine musicians into his solo bands.<\/div>\n

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In the 1990s he started with his catchphrase “Say No More”, for which he is now referred to as “Mister SNM.”<\/div>\n

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During 2004 Charly Garc\u00eda gave a tour throughout the country, whose show of more than three hours includes songs from all times, being seen by a very heterogeneous audience in terms of ages. His tour of the south of the country leaves historical results, as in Ushuaia (Tierra del Fuego), the southernmost city in Argentina, when with a temperature of \u20132 \u00b0 C one out of every four inhabitants attended his show.<\/div>\n

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In 2006 he found him presenting Kill Gil, his last record production (still unedited). At this same stage he is developing his \u00abheadphone concert\u00bb in which music can be seen on FM frequency. The interesting thing is that this sound is only perceived by those fans who have a radio with them.<\/div>\n

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Currently Charly Garc\u00eda is rehabilitated and is giving tours and concerts around the world, he has already released two albums “The Underwater Concert” that records his return to the stage. The title of the album is a self-parody of the project of a concert for the public with headphones listened to underwater, what happens is that the night of expected return and that is why he decided to name the album that contains a CD with the film of the concert.<\/div>\n
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At the beginning of 2011 he finally released Kill Gil, retaking the demos, remixing them, re-recording voices and instrumentation his new band, but in itself it is a testimony of the previous crazy and tormented Charly Garc\u00eda who already suffered his excesses, he continued playing but already his consumption of narcotics it was very high, affecting their quality of life.<\/div>\n

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Discography<\/strong><\/div>\n

 <\/p>\n<\/div>\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n
G\u00e9nero Rock<\/strong><\/td>\nEscuchar tema<\/strong><\/td>\nA\u00f1o de Publicacion<\/strong><\/td>\n<\/tr>\n
1<\/td>\nDemoliendo Hoteles<\/td>\n1984<\/td>\n<\/tr>\n
2<\/td>\nNo Me Dejan Salir<\/td>\n1983<\/td>\n<\/tr>\n
3<\/td>\nRaros Peinados Nuevos<\/td>\n2002<\/td>\n<\/tr>\n
4<\/td>\nYendo De La Cama Al Living<\/td>\n2002<\/td>\n<\/tr>\n
5<\/td>\nNos Siguen Pegando Abajo<\/td>\n2002<\/td>\n<\/tr>\n
6<\/td>\nNo Se Va A Llamar Mi Amor<\/td>\n2002<\/td>\n<\/tr>\n
7<\/td>\nPiano Bar<\/td>\n2002<\/td>\n<\/tr>\n
8<\/td>\nTuve Tu Amor<\/td>\n2002<\/td>\n<\/tr>\n
<\/td>\n<\/td>\n<\/td>\n<\/tr>\n
\u00c1lbum<\/strong><\/td>\nClics modernos<\/strong><\/td>\n1983<\/strong><\/td>\n<\/tr>\n
1<\/td>\nNos siguen pegando abajo (Pecado mortal)<\/td>\n<\/tr>\n
2<\/td>\nNo soy un extra\u00f1o<\/td>\n<\/td>\n<\/tr>\n
3<\/td>\nDos cero uno<\/td>\n<\/td>\n<\/tr>\n
4<\/td>\nNuevos trapos<\/td>\n<\/td>\n<\/tr>\n
5<\/td>\nBancate ese defecto<\/td>\n<\/td>\n<\/tr>\n
6<\/td>\nNo me dejan salir<\/td>\n<\/td>\n<\/tr>\n
7<\/td>\nLos dinosaurios<\/td>\n<\/td>\n<\/tr>\n
8<\/td>\nPlateado sobre plateado (Huellas en el mar)<\/td>\n<\/tr>\n
9<\/td>\nOjos de video tape<\/td>\n<\/td>\n<\/tr>\n
<\/td>\n<\/td>\n<\/td>\n<\/tr>\n
Album<\/strong><\/td>\nInfluencia<\/strong><\/td>\n2002<\/strong><\/td>\n<\/tr>\n
1<\/td>\nTu Vicio<\/td>\n<\/td>\n<\/tr>\n
2<\/td>\nI’m Not In Love<\/td>\n<\/td>\n<\/tr>\n
3<\/td>\nInfluencia<\/td>\n<\/td>\n<\/tr>\n
4<\/td>\nEncuentro Con El Diablo<\/td>\n<\/td>\n<\/tr>\n
5<\/td>\nEl Amor Espera<\/td>\n<\/td>\n<\/tr>\n
6<\/td>\nPelicula Sordomuda<\/td>\n<\/td>\n<\/tr>\n
7<\/td>\nMi Nena<\/td>\n<\/td>\n<\/tr>\n
8<\/td>\nTu Vicio (Gospel)<\/td>\n<\/td>\n<\/tr>\n
9<\/td>\nDemasiado Ego (One To One)<\/td>\n<\/td>\n<\/tr>\n
11<\/td>\nI’m Not In Love (Remix)<\/td>\n<\/td>\n<\/tr>\n
12<\/td>\nHappy And Real<\/td>\n<\/td>\n<\/tr>\n
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Album<\/strong><\/td>\nHello! MTV Unplugged<\/strong><\/td>\n1995<\/strong><\/td>\n<\/tr>\n
1<\/td>\nYendo de la cama al living<\/td>\n<\/td>\n<\/tr>\n
2<\/td>\nRezo por vos<\/td>\n<\/td>\n<\/tr>\n
3<\/td>\nFanky<\/td>\n<\/td>\n<\/tr>\n
4<\/td>\nPasajera en trance<\/td>\n<\/td>\n<\/tr>\n
5<\/td>\nSeru giran medley: Eiti leda \/ Viernes 3 AM<\/td>\n<\/tr>\n
6<\/td>\nCerca de la revoluci\u00f3n<\/td>\n<\/td>\n<\/tr>\n
7<\/td>\nPromesas sobre el bidet<\/td>\n<\/td>\n<\/tr>\n
8<\/td>\nNo soy un extra\u00f1o<\/td>\n<\/td>\n<\/tr>\n
9<\/td>\nLos dinosaurios<\/td>\n<\/td>\n<\/tr>\n
10<\/td>\nChipi chipi<\/td>\n<\/td>\n<\/tr>\n
11<\/td>\nLa sal no sala<\/td>\n<\/td>\n<\/tr>\n
12<\/td>\nNos siguen pegando abajo (Pecado mortal)<\/td>\n<\/tr>\n
13<\/td>\nOjos de videotape<\/td>\n<\/td>\n<\/tr>\n
14<\/td>\nDemoliendo hoteles<\/td>\n<\/td>\n<\/tr>\n
15<\/td>\nFifteen Forever<\/td>\n<\/td>\n<\/tr>\n
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Album<\/strong><\/td>\nPiano Bar<\/strong><\/td>\n1984<\/strong><\/td>\n<\/tr>\n
1<\/td>\nDemoliendo hoteles<\/td>\n<\/td>\n<\/tr>\n
2<\/td>\nPromesas sobre el bidet<\/td>\n<\/td>\n<\/tr>\n
3<\/td>\nRaros peinados nuevos<\/td>\n<\/td>\n<\/tr>\n
4<\/td>\nPiano Bar<\/td>\n<\/td>\n<\/tr>\n
5<\/td>\nNo te anim\u00e1s a despegar<\/td>\n<\/td>\n<\/tr>\n
6<\/td>\nNo se va a llamar mi amor<\/td>\n<\/td>\n<\/tr>\n
7<\/td>\nTuve tu amor<\/td>\n<\/td>\n<\/tr>\n
8<\/td>\nRap del exilio<\/td>\n<\/td>\n<\/tr>\n
9<\/td>\nCerca de la revoluci\u00f3n<\/td>\n<\/td>\n<\/tr>\n
10<\/td>\nTotal interferencia<\/td>\n<\/td>\n<\/tr>\n
<\/td>\n<\/td>\n<\/td>\n<\/tr>\n
\u00c1lbum<\/strong><\/td>\nSay No More<\/strong><\/td>\n1996<\/strong><\/td>\n<\/tr>\n
1<\/td>\nEstaba En Llamas Cuando Me Acost\u00e9 (Album Version)<\/td>\n<\/tr>\n
2<\/td>\nVemos… (Album Version)<\/td>\n<\/td>\n<\/tr>\n
3<\/td>\nCanciones De Jirafas (Album Version)<\/td>\n<\/td>\n<\/tr>\n
4<\/td>\nNecesito Un Gol (Album Version)<\/td>\n<\/td>\n<\/tr>\n
5<\/td>\nAlguien en el Mundo Piensa en M\u00ed<\/td>\n<\/td>\n<\/tr>\n
6<\/td>\nConstant Concept (Album Version)<\/td>\n<\/td>\n<\/tr>\n
7<\/td>\nSay No More (Album Version)<\/td>\n<\/td>\n<\/tr>\n
8<\/td>\nCuchillos (Album Version)<\/td>\n<\/td>\n<\/tr>\n
9<\/td>\nA1 (Album Version)<\/td>\n<\/td>\n<\/tr>\n
10<\/td>\nPlan 9 (Album Version)<\/td>\n<\/td>\n<\/tr>\n
11<\/td>\nCasa Vac\u00eda (Album Version)<\/td>\n<\/td>\n<\/tr>\n
12<\/td>\nPodr\u00edas Entender (Album Version)<\/td>\n<\/td>\n<\/tr>\n
13<\/td>\nIntuici\u00f3n (Album Version)<\/td>\n<\/td>\n<\/tr>\n
14<\/td>\nLa Vanguardia Es Asi (Album Version)<\/td>\n<\/td>\n<\/tr>\n
<\/td>\n<\/td>\n<\/td>\n<\/tr>\n
<\/td>\nFilosof\u00eda barata y zapatos de goma<\/strong><\/td>\n1990<\/strong><\/td>\n<\/tr>\n
1<\/td>\nDe M\u00ed<\/td>\n<\/td>\n<\/tr>\n
2<\/td>\nFilosof\u00eda Barata y Zapatos de Goma<\/td>\n<\/td>\n<\/tr>\n
3<\/td>\nReloj de Plastilina<\/td>\n<\/td>\n<\/tr>\n
4<\/td>\nGato de Metal<\/td>\n<\/td>\n<\/tr>\n
5<\/td>\nNo Te Mueras en Mi Casa<\/td>\n<\/td>\n<\/tr>\n
6<\/td>\nCuritas<\/td>\n<\/td>\n<\/tr>\n
7<\/td>\nSolo un Poquito No M\u00e1s<\/td>\n<\/td>\n<\/tr>\n
8<\/td>\nMe Siento Mucho Mejor<\/td>\n<\/td>\n<\/tr>\n
9<\/td>\nSiempre Puedes Olvidar<\/td>\n<\/td>\n<\/tr>\n
10<\/td>\nLa Canci\u00f3n del Indeciso<\/td>\n<\/td>\n<\/tr>\n
11<\/td>\nHimno Nacional Argentino<\/td>\n<\/td>\n<\/tr>\n
<\/td>\n<\/td>\n<\/td>\n<\/tr>\n
<\/td>\nParte de la religi\u00f3n<\/strong><\/td>\n1987<\/strong><\/td>\n<\/tr>\n
1<\/td>\nNecesito tu amor<\/td>\n<\/td>\n<\/tr>\n
2<\/td>\nBuscando un s\u00edmbolo de paz<\/td>\n<\/td>\n<\/tr>\n
3<\/td>\nParte de la religi\u00f3n<\/td>\n<\/td>\n<\/tr>\n
4<\/td>\nRap de las hormigas<\/td>\n<\/td>\n<\/tr>\n
5<\/td>\nAdela en el carrousel<\/td>\n<\/td>\n<\/tr>\n
6<\/td>\nNo voy en tren<\/td>\n<\/td>\n<\/tr>\n
7<\/td>\nRezo por vos<\/td>\n<\/td>\n<\/tr>\n
8<\/td>\nEl karma de vivir al sur<\/td>\n<\/td>\n<\/tr>\n
9<\/td>\nElla adivin\u00f3<\/td>\n<\/td>\n<\/tr>\n
10<\/td>\nLa ruta del tentempi\u00e9<\/td>\n<\/td>\n<\/tr>\n
<\/td>\n<\/td>\n<\/td>\n<\/tr>\n
<\/td>\nLa hija de la l\u00e1grima<\/strong><\/td>\n1994<\/strong><\/td>\n<\/tr>\n
1<\/td>\nOverture (Album Version)<\/td>\n<\/td>\n<\/tr>\n
2<\/td>\nV\u00edctima (Album Version)<\/td>\n<\/td>\n<\/tr>\n
3<\/td>\nJaco Y Chofi (Album Version)<\/td>\n<\/td>\n<\/tr>\n
4<\/td>\nAtlantis (Album Version)<\/td>\n<\/td>\n<\/tr>\n
5<\/td>\nLa Sal No Sala (Album Version)<\/td>\n<\/td>\n<\/tr>\n
6<\/td>\nChipi-Chipi (Album Version)<\/td>\n<\/td>\n<\/tr>\n
7<\/td>\nCalle [Taxi] (Album Version)<\/td>\n<\/td>\n<\/tr>\n
8<\/td>\nLove Is Love (Album Version)<\/td>\n<\/td>\n<\/tr>\n
9<\/td>\nTema De Amor (Album Version)<\/td>\n<\/td>\n<\/tr>\n
10<\/td>\nFax U (Album Version)<\/td>\n<\/td>\n<\/tr>\n
11<\/td>\nLament (Album Version)<\/td>\n<\/td>\n<\/tr>\n
12<\/td>\nIntermedio (Album Version)<\/td>\n<\/td>\n<\/tr>\n
13<\/td>\nWorkin’ In The Morning (Album Version)<\/td>\n<\/tr>\n
14<\/td>\nWaitin (Album Version)<\/td>\n<\/td>\n<\/tr>\n
15<\/td>\nKurosawa (Album Version)<\/td>\n<\/td>\n<\/tr>\n
16<\/td>\nChiquilin (Album Version)<\/td>\n<\/td>\n<\/tr>\n
17<\/td>\nAndan (Excerpt)<\/td>\n<\/td>\n<\/tr>\n
18<\/td>\nJames Brown (Album Version)<\/td>\n<\/td>\n<\/tr>\n
19<\/td>\nIntraterreno (Album Version)<\/td>\n<\/td>\n<\/tr>\n
20<\/td>\nNo Sugar (Album Version)<\/td>\n<\/td>\n<\/tr>\n
21<\/td>\nAtlantis (Parte II)<\/td>\n<\/td>\n<\/tr>\n
22<\/td>\nLocomotion (Album Version)<\/td>\n<\/td>\n<\/tr>\n
23<\/td>\nAndan (Complete) (Album Version)<\/td>\n<\/td>\n<\/tr>\n
<\/td>\n<\/td>\n<\/td>\n<\/tr>\n
<\/td>\nRandom<\/strong><\/td>\n2017<\/strong><\/td>\n<\/tr>\n
1<\/td>\nLa M\u00e1quina de Ser Feliz<\/td>\n<\/td>\n<\/tr>\n
2<\/td>\nElla Es Tan Kubrick<\/td>\n<\/td>\n<\/tr>\n
3<\/td>\nPrimavera<\/td>\n<\/td>\n<\/tr>\n
4<\/td>\nRivalidad<\/td>\n<\/td>\n<\/tr>\n
5<\/td>\nOtro<\/td>\n<\/td>\n<\/tr>\n
6<\/td>\nLluvia<\/td>\n<\/td>\n<\/tr>\n
7<\/td>\nBelieve<\/td>\n<\/td>\n<\/tr>\n
8<\/td>\nAmigos de Dios<\/td>\n<\/td>\n<\/tr>\n
9<\/td>\nSpector<\/td>\n<\/td>\n<\/tr>\n
10<\/td>\nMundo B<\/td>\n<\/td>\n<\/tr>\n
<\/td>\n<\/td>\n<\/td>\n<\/tr>\n
<\/td>\nC\u00f3mo conseguir chicas<\/strong><\/td>\n1989<\/strong><\/td>\n<\/tr>\n
1<\/td>\nNo toquen<\/td>\n<\/td>\n<\/tr>\n
2<\/td>\nZocacola<\/td>\n<\/td>\n<\/tr>\n
3<\/td>\nFanky<\/td>\n<\/td>\n<\/tr>\n
4<\/td>\nNo me ver\u00e1s en el subte<\/td>\n<\/td>\n<\/tr>\n
5<\/td>\nElla es bailarina<\/td>\n<\/td>\n<\/tr>\n
6<\/td>\nAnhedonia<\/td>\n<\/td>\n<\/tr>\n
7<\/td>\nSuicida<\/td>\n<\/td>\n<\/tr>\n
8<\/td>\nFantasy<\/td>\n<\/td>\n<\/tr>\n
9<\/td>\nA punto de caer<\/td>\n<\/td>\n<\/tr>\n
10<\/td>\nShisyastawuman<\/td>\n<\/td>\n<\/tr>\n
<\/td>\n<\/td>\n<\/td>\n<\/tr>\n
<\/td>\nTango<\/strong><\/td>\n1986<\/strong><\/td>\n<\/tr>\n
1<\/td>\n\u00c1ngeles y predicadores<\/td>\n<\/td>\n<\/tr>\n
2<\/td>\nCulpable eternamente<\/td>\n<\/td>\n<\/tr>\n
3<\/td>\nPasajera en trance<\/td>\n<\/td>\n<\/tr>\n
4<\/td>\nGramercy Park Hotel<\/td>\n<\/td>\n<\/tr>\n
5<\/td>\nHablando a tu coraz\u00f3n<\/td>\n<\/td>\n<\/tr>\n
6<\/td>\nLa gente es la misma<\/td>\n<\/td>\n<\/tr>\n
<\/td>\n<\/td>\n<\/td>\n<\/tr>\n
<\/td>\nEl Aguante<\/strong><\/td>\n1998<\/strong><\/td>\n<\/tr>\n
1<\/td>\nEl aguante<\/td>\n<\/td>\n<\/tr>\n
2<\/td>\nKill my Mother<\/td>\n<\/td>\n<\/tr>\n
3<\/td>\nPedro trabaja en el cine<\/td>\n<\/td>\n<\/tr>\n
4<\/td>\nNo estar\u00eda mal<\/td>\n<\/td>\n<\/tr>\n
5<\/td>\nSoldado de lata<\/td>\n<\/td>\n<\/tr>\n
6<\/td>\nCorrete Beethoven<\/td>\n<\/td>\n<\/tr>\n
7<\/td>\nTu arma en el sur<\/td>\n<\/td>\n<\/tr>\n
8<\/td>\nDos edificios dorados<\/td>\n<\/td>\n<\/tr>\n
9<\/td>\nUno a uno<\/td>\n<\/td>\n<\/tr>\n
10<\/td>\nLo que ves es lo que hay (Todo el mundo quiere olvidar)<\/td>\n<\/tr>\n
<\/td>\n<\/td>\n<\/td>\n<\/tr>\n
<\/td>\nTango 4<\/strong><\/td>\n1991<\/strong><\/td>\n<\/tr>\n
1<\/td>\nTu Amor<\/td>\n<\/td>\n<\/tr>\n
2<\/td>\nMientes<\/td>\n<\/td>\n<\/tr>\n
3<\/td>\nVampiro<\/td>\n<\/td>\n<\/tr>\n
4<\/td>\nRompan Todo<\/td>\n<\/td>\n<\/tr>\n
5<\/td>\nMala Se\u00f1al<\/td>\n<\/td>\n<\/tr>\n
6<\/td>\n30 Denarios<\/td>\n<\/td>\n<\/tr>\n
7<\/td>\nSolo Dios Sabe<\/td>\n<\/td>\n<\/tr>\n
8<\/td>\nCucamonga Dance<\/td>\n<\/td>\n<\/tr>\n
9<\/td>\nDiana<\/td>\n<\/td>\n<\/tr>\n
10<\/td>\nHappy and Real<\/td>\n<\/td>\n<\/tr>\n
11<\/td>\nVampiro (Instrumental)<\/td>\n<\/td>\n<\/tr>\n
12<\/td>\nDiana (Instrumental)<\/td>\n<\/td>\n<\/tr>\n
13<\/td>\nSolo Dios Sabe (Instrumental)<\/td>\n<\/td>\n<\/tr>\n
<\/td>\n<\/td>\n<\/td>\n<\/tr>\n
<\/td>\nM\u00fasica del alma<\/strong><\/td>\n1980<\/strong><\/td>\n<\/tr>\n
1<\/td>\nVariaciones sobre m\u00fasica del alma<\/td>\n<\/td>\n<\/tr>\n
2<\/td>\nDos edificios dorados<\/td>\n<\/td>\n<\/tr>\n
3<\/td>\nHombre de mala sangre<\/td>\n<\/td>\n<\/tr>\n
4<\/td>\nEl fantasma de Canterville<\/td>\n<\/td>\n<\/tr>\n
5<\/td>\nBoletos, pases y abonos<\/td>\n<\/td>\n<\/tr>\n
6<\/td>\nGaby<\/td>\n<\/td>\n<\/tr>\n
7<\/td>\nBienvenidos al tren<\/td>\n<\/td>\n<\/tr>\n
8<\/td>\nTema de los devotos<\/td>\n<\/td>\n<\/tr>\n
9<\/td>\nIba acab\u00e1ndose el vino<\/td>\n<\/td>\n<\/tr>\n
10<\/td>\nLas dulces promesas<\/td>\n<\/td>\n<\/tr>\n
11<\/td>\nSentado en el umbral de Dios<\/td>\n<\/td>\n<\/tr>\n
12<\/td>\nStudio Jam<\/td>\n<\/td>\n<\/tr>\n
13<\/td>\nM\u00fasica del alma<\/td>\n<\/td>\n<\/tr>\n
<\/td>\n<\/td>\n<\/td>\n<\/tr>\n
<\/td>\nRock and Roll YO<\/strong><\/td>\n2003<\/strong><\/td>\n<\/tr>\n
1<\/td>\nDileando con un alma (que no puedo entender)<\/td>\n<\/tr>\n
2<\/td>\nReh\u00e9n<\/td>\n<\/td>\n<\/tr>\n
3<\/td>\nAses\u00edname<\/td>\n<\/td>\n<\/tr>\n
4<\/td>\nLinda bailarina<\/td>\n<\/td>\n<\/tr>\n
5<\/td>\nAses\u00edname Stone<\/td>\n<\/td>\n<\/tr>\n
6<\/td>\nV.S.D<\/td>\n<\/td>\n<\/tr>\n
7<\/td>\nTango<\/td>\n<\/td>\n<\/tr>\n
8<\/td>\nCretino<\/td>\n<\/td>\n<\/tr>\n
9<\/td>\nRock and Roll Yo<\/td>\n<\/td>\n<\/tr>\n
10<\/td>\nWonder (Love’s in Need of Love Today)<\/td>\n<\/td>\n<\/tr>\n
11<\/td>\nDealer (reprise)<\/td>\n<\/td>\n<\/tr>\n
<\/td>\n<\/td>\n<\/td>\n<\/tr>\n
<\/td>\nKill Gil<\/strong><\/td>\n2010<\/strong><\/td>\n<\/tr>\n
1<\/td>\nNo importa<\/td>\n<\/td>\n<\/tr>\n
2<\/td>\nKing Kong<\/td>\n<\/td>\n<\/tr>\n
3<\/td>\nIn the city that never sleeps<\/td>\n<\/td>\n<\/tr>\n
4<\/td>\nPastillas<\/td>\n<\/td>\n<\/tr>\n
5<\/td>\nCoraz\u00f3n de hormig\u00f3n<\/td>\n<\/td>\n<\/tr>\n
6<\/td>\nTransformaci\u00f3n<\/td>\n<\/td>\n<\/tr>\n
7<\/td>\nWatching the wheels<\/td>\n<\/td>\n<\/tr>\n
8<\/td>\nBreak it up<\/td>\n<\/td>\n<\/tr>\n
9<\/td>\nLos fantasmas<\/td>\n<\/td>\n<\/tr>\n
10<\/td>\nTelep\u00e1ticamente<\/td>\n<\/td>\n<\/tr>\n
11<\/td>\nHappy & Real<\/td>\n<\/td>\n<\/tr>\n
<\/td>\n<\/td>\n<\/td>\n<\/tr>\n
<\/td>\nDemasiado ego<\/strong><\/td>\n1999<\/strong><\/td>\n<\/tr>\n
1<\/td>\nDemasiado ego<\/td>\n<\/td>\n<\/tr>\n
2<\/td>\nSarabande<\/td>\n<\/td>\n<\/tr>\n
3<\/td>\nCerca de la revoluci\u00f3n<\/td>\n<\/td>\n<\/tr>\n
4<\/td>\nM\u00fasica de fondo para cualquier fiesta animada<\/td>\n<\/tr>\n
5<\/td>\nLos dinosaurios<\/td>\n<\/td>\n<\/tr>\n
6<\/td>\nCanciones de jirafas<\/td>\n<\/td>\n<\/tr>\n
7<\/td>\nSweet Home Buenos Aires<\/td>\n<\/td>\n<\/tr>\n
8<\/td>\nPasajera en trance<\/td>\n<\/td>\n<\/tr>\n
9<\/td>\nKill My Mother<\/td>\n<\/td>\n<\/tr>\n
10<\/td>\nEl show de los muertos<\/td>\n<\/td>\n<\/tr>\n
11<\/td>\nChipi Chipi<\/td>\n<\/td>\n<\/tr>\n
12<\/td>\nNos siguen pegando abajo<\/td>\n<\/td>\n<\/tr>\n
13<\/td>\nNo llores por m\u00ed, Argentina<\/td>\n<\/td>\n<\/tr>\n
14<\/td>\nDemoliendo hoteles<\/td>\n<\/td>\n<\/tr>\n
15<\/td>\nNo toquen<\/td>\n<\/td>\n<\/tr>\n
16<\/td>\nHablando a tu coraz\u00f3n<\/td>\n<\/td>\n<\/tr>\n
17<\/td>\nAlguien en el mundo piensa en m\u00ed<\/td>\n<\/td>\n<\/tr>\n
18<\/td>\nEl aguante<\/td>\n<\/td>\n<\/tr>\n
19<\/td>\nIt’s Only Love<\/td>\n<\/td>\n<\/tr>\n
<\/td>\n<\/td>\n<\/td>\n<\/tr>\n
<\/td>\nEl concierto subacu\u00e1tico<\/strong><\/td>\n2010<\/strong><\/td>\n<\/tr>\n
1<\/td>\nEl amor espera<\/td>\n<\/td>\n<\/tr>\n
2<\/td>\nEl rap del exilio<\/td>\n<\/td>\n<\/tr>\n
3<\/td>\nCerca de la revoluci\u00f3n<\/td>\n<\/td>\n<\/tr>\n
4<\/td>\nChipi Chipi<\/td>\n<\/td>\n<\/tr>\n
5<\/td>\nFanky<\/td>\n<\/td>\n<\/tr>\n
6<\/td>\nDemoliendo hoteles<\/td>\n<\/td>\n<\/tr>\n
7<\/td>\nPromesas sobre el bidet<\/td>\n<\/td>\n<\/tr>\n
8<\/td>\nRezo por vos<\/td>\n<\/td>\n<\/tr>\n
9<\/td>\nYendo de la cama al living<\/td>\n<\/td>\n<\/tr>\n
10<\/td>\nCanci\u00f3n de 2 x 3<\/td>\n<\/td>\n<\/tr>\n
11<\/td>\nPecado mortal<\/td>\n<\/td>\n<\/tr>\n
12<\/td>\nInfluencia<\/td>\n<\/td>\n<\/tr>\n
13<\/td>\nLlorando en el espejo<\/td>\n<\/td>\n<\/tr>\n
14<\/td>\nRaros peinados nuevos<\/td>\n<\/td>\n<\/tr>\n
15<\/td>\nMe siento mucho mejor<\/td>\n<\/td>\n<\/tr>\n
16<\/td>\nS\u00edmbolo de paz<\/td>\n<\/td>\n<\/tr>\n
17<\/td>\nNo voy en tren<\/td>\n<\/td>\n<\/tr>\n
18<\/td>\nDeber\u00edas saber por qu\u00e9<\/td>\n<\/td>\n<\/tr>\n
19<\/td>\nRock & Roll yo<\/td>\n<\/td>\n<\/tr>\n
20<\/td>\nNo toquen<\/td>\n<\/td>\n<\/tr>\n
21<\/td>\nNo se va a llamar mi amor<\/td>\n<\/td>\n<\/tr>\n
<\/td>\n<\/td>\n<\/td>\n<\/tr>\n
<\/td>\nAlta fidelidad<\/strong><\/td>\n1997<\/strong><\/td>\n<\/tr>\n
1<\/td>\nCuchillos<\/td>\n<\/td>\n<\/tr>\n
2<\/td>\nPromesas sobre el bidet<\/td>\n<\/td>\n<\/tr>\n
3<\/td>\nRezo por vos<\/td>\n<\/td>\n<\/tr>\n
4<\/td>\nComo mata el viento norte<\/td>\n<\/td>\n<\/tr>\n
5<\/td>\nCuando me empiece a quedar solo<\/td>\n<\/td>\n<\/tr>\n
6<\/td>\nHablando a tu coraz\u00f3n<\/td>\n<\/td>\n<\/tr>\n
7<\/td>\nLos sobrevivientes<\/td>\n<\/td>\n<\/tr>\n
8<\/td>\nEl tuerto y los ciegos<\/td>\n<\/td>\n<\/tr>\n
9<\/td>\nDe m\u00ed<\/td>\n<\/td>\n<\/tr>\n
10<\/td>\nCerca de la revoluci\u00f3n<\/td>\n<\/td>\n<\/tr>\n
11<\/td>\nSiempre puedes olvidar<\/td>\n<\/td>\n<\/tr>\n
12<\/td>\nPlateado sobre plateado (Huellas en el mar)<\/td>\n<\/tr>\n
<\/td>\n<\/td>\n<\/td>\n<\/tr>\n
<\/td>\nTerapia intensiva<\/strong><\/td>\n1984<\/strong><\/td>\n<\/tr>\n
1<\/td>\nTerapia intensiva<\/td>\n<\/td>\n<\/tr>\n
2<\/td>\nConejo tecno<\/td>\n<\/td>\n<\/tr>\n
3<\/td>\nDesfile \u00e1guila y le\u00f3n<\/td>\n<\/td>\n<\/tr>\n
4<\/td>\nAlicia va la disco<\/td>\n<\/td>\n<\/tr>\n
5<\/td>\nAgua y piano<\/td>\n<\/td>\n<\/tr>\n
6<\/td>\nChicas muertas<\/td>\n<\/td>\n<\/tr>\n
<\/td>\n<\/td>\n<\/td>\n<\/tr>\n
<\/td>\nDetr\u00e1s de las Paredes (En Vivo)<\/strong><\/td>\n2012<\/strong><\/td>\n<\/tr>\n
1<\/td>\nInstituciones (Live)<\/td>\n<\/td>\n<\/tr>\n
2<\/td>\nPasajera en Trance (Live)<\/td>\n<\/td>\n<\/tr>\n
3<\/td>\nRezo Por Vos (Live)<\/td>\n<\/td>\n<\/tr>\n
4<\/td>\nYendo De La Cama Al Living (Live)<\/td>\n<\/td>\n<\/tr>\n
5<\/td>\nNecesito Tu Amor (Live)<\/td>\n<\/td>\n<\/tr>\n
6<\/td>\nHablando A Tu Coraz\u00f3n (Live)<\/td>\n<\/td>\n<\/tr>\n
7<\/td>\nInfluencia (Live)<\/td>\n<\/td>\n<\/tr>\n
8<\/td>\n20 Trajes De L\u00e1grimas II (Live)<\/td>\n<\/td>\n<\/tr>\n
9<\/td>\nFantasy (Live)<\/td>\n<\/td>\n<\/tr>\n
10<\/td>\nCanci\u00f3n De Alicia En El Pa\u00eds (Live)<\/td>\n<\/td>\n<\/tr>\n
11<\/td>\nNo Soy Un Extra\u00f1o (Live)<\/td>\n<\/td>\n<\/tr>\n
12<\/td>\nNo Me Dejan Salir (Live)<\/td>\n<\/td>\n<\/tr>\n
13<\/td>\nCuchillos (Live)<\/td>\n<\/td>\n<\/tr>\n
14<\/td>\nInconsciente Colectivo (Live)<\/td>\n<\/td>\n<\/tr>\n
15<\/td>\nLa Sal No Sala (Live)<\/td>\n<\/td>\n<\/tr>\n
16<\/td>\nPromesas Sobre El Bidet (Live)<\/td>\n<\/td>\n<\/tr>\n
17<\/td>\nPerro Andaluz (Live)<\/td>\n<\/td>\n<\/tr>\n
18<\/td>\nNo Llores Por M\u00ed, Argentina (Live)<\/td>\n<\/td>\n<\/tr>\n
19<\/td>\nRasgu\u00f1a Las Piedras (Live)<\/td>\n<\/td>\n<\/tr>\n
20<\/td>\nFanky (Live)<\/td>\n<\/td>\n<\/tr>\n
<\/td>\n<\/td>\n<\/td>\n<\/tr>\n
<\/td>\nGrandes \u00e9xitos<\/strong><\/td>\n1986<\/strong><\/td>\n<\/tr>\n
1<\/td>\nDemoliendo hoteles<\/td>\n<\/td>\n<\/tr>\n
2<\/td>\nNo me dejan salir<\/td>\n<\/td>\n<\/tr>\n
3<\/td>\nRaros peinados nuevos<\/td>\n<\/td>\n<\/tr>\n
4<\/td>\nYendo de la cama al living<\/td>\n<\/td>\n<\/tr>\n
5<\/td>\nNos siguen pegando abajo (Pecado mortal)<\/td>\n<\/tr>\n
6<\/td>\nNo se va a llamar mi amor<\/td>\n<\/td>\n<\/tr>\n
7<\/td>\nPiano Bar<\/td>\n<\/td>\n<\/tr>\n
8<\/td>\nTuve tu amor<\/td>\n<\/td>\n<\/tr>\n
<\/td>\n<\/td>\n<\/td>\n<\/tr>\n
<\/td>\n60×60<\/strong><\/td>\n2012<\/strong><\/td>\n<\/tr>\n
1<\/td>\nTango en segunda<\/td>\n<\/td>\n<\/tr>\n
2<\/td>\nEl amor espera<\/td>\n<\/td>\n<\/tr>\n
3<\/td>\nCerca de la revoluci\u00f3n<\/td>\n<\/td>\n<\/tr>\n
4<\/td>\nRock and roll Yo<\/td>\n<\/td>\n<\/tr>\n
5<\/td>\nAnhedonia<\/td>\n<\/td>\n<\/tr>\n
6<\/td>\nNo importa<\/td>\n<\/td>\n<\/tr>\n
7<\/td>\nNos siguen pegando abajo (Pecado mortal)<\/td>\n<\/tr>\n
8<\/td>\nViernes 3AM<\/td>\n<\/td>\n<\/tr>\n
9<\/td>\nLa grasa de las capitales<\/td>\n<\/td>\n<\/tr>\n
10<\/td>\nMe siento mucho mejor<\/td>\n<\/td>\n<\/tr>\n
11<\/td>\n20 trajes de l\u00e1grimas I<\/td>\n<\/td>\n<\/tr>\n
12<\/td>\nTu vicio<\/td>\n<\/td>\n<\/tr>\n
13<\/td>\nChipi Chipi<\/td>\n<\/td>\n<\/tr>\n
14<\/td>\nDemoliendo hoteles<\/td>\n<\/td>\n<\/tr>\n
15<\/td>\nNo voy en tren<\/td>\n<\/td>\n<\/tr>\n
16<\/td>\nDesarma y sangra<\/td>\n<\/td>\n<\/tr>\n
17<\/td>\nLos dinosaurios<\/td>\n<\/td>\n<\/tr>\n
18<\/td>\nNo toquen<\/td>\n<\/td>\n<\/tr>\n
19<\/td>\nConfesiones de invierno<\/td>\n<\/td>\n<\/tr>\n
20<\/td>\nInstituciones<\/td>\n<\/td>\n<\/tr>\n
21<\/td>\nPasajera en trance<\/td>\n<\/td>\n<\/tr>\n
22<\/td>\nRezo por vos<\/td>\n<\/td>\n<\/tr>\n
23<\/td>\nYendo de la cama al living<\/td>\n<\/td>\n<\/tr>\n
24<\/td>\nNecesito tu amor<\/td>\n<\/td>\n<\/tr>\n
25<\/td>\nHablando a tu coraz\u00f3n<\/td>\n<\/td>\n<\/tr>\n
26<\/td>\nInfluencia<\/td>\n<\/td>\n<\/tr>\n
27<\/td>\n20 trajes de l\u00e1grimas II<\/td>\n<\/td>\n<\/tr>\n
28<\/td>\nFantasy<\/td>\n<\/td>\n<\/tr>\n
29<\/td>\nCanci\u00f3n de Alicia en el pa\u00eds<\/td>\n<\/td>\n<\/tr>\n
30<\/td>\nNo soy un extra\u00f1o<\/td>\n<\/td>\n<\/tr>\n
31<\/td>\nNo me dejan salir<\/td>\n<\/td>\n<\/tr>\n
32<\/td>\nCuchillos<\/td>\n<\/td>\n<\/tr>\n
33<\/td>\nInconsciente colectivo<\/td>\n<\/td>\n<\/tr>\n
34<\/td>\nLa sal no sala<\/td>\n<\/td>\n<\/tr>\n
35<\/td>\nPromesas sobre el bidet<\/td>\n<\/td>\n<\/tr>\n
36<\/td>\nPerro andaluz<\/td>\n<\/td>\n<\/tr>\n
37<\/td>\nNo llores por m\u00ed, Argentina<\/td>\n<\/td>\n<\/tr>\n
38<\/td>\nRasgu\u00f1a las piedras<\/td>\n<\/td>\n<\/tr>\n
39<\/td>\nFanky<\/td>\n<\/td>\n<\/tr>\n
40<\/td>\nPiano bar<\/td>\n<\/td>\n<\/tr>\n
41<\/td>\nCanci\u00f3n de 2×3<\/td>\n<\/td>\n<\/tr>\n
42<\/td>\nI’m not in love<\/td>\n<\/td>\n<\/tr>\n
43<\/td>\nPlateado sobre plateado<\/td>\n<\/td>\n<\/tr>\n
44<\/td>\nLa chica que se rob\u00f3 al mundo<\/td>\n<\/td>\n<\/tr>\n
45<\/td>\nEl d\u00eda que apagaron la luz<\/td>\n<\/td>\n<\/tr>\n
46<\/td>\nDeber\u00edas saber porqu\u00e9<\/td>\n<\/td>\n<\/tr>\n
47<\/td>\nNuevos trapos<\/td>\n<\/td>\n<\/tr>\n
48<\/td>\nPopotitos<\/td>\n<\/td>\n<\/tr>\n
49<\/td>\nLlorando en el espejo<\/td>\n<\/td>\n<\/tr>\n
50<\/td>\nNo te anim\u00e1s a despegar<\/td>\n<\/td>\n<\/tr>\n
51<\/td>\n20 trajes de l\u00e1grimas III<\/td>\n<\/td>\n<\/tr>\n
<\/td>\n<\/td>\n<\/td>\n<\/tr>\n
<\/td>\nObras Cumbres\u00a0<\/strong><\/td>\n1999<\/strong><\/td>\n<\/tr>\n
1<\/td>\nConfesiones De Invierno<\/td>\n<\/td>\n<\/tr>\n
2<\/td>\nEl Fantasma De Canterville<\/td>\n<\/td>\n<\/tr>\n
3<\/td>\nC\u00f3mo Mata El Viento Del Norte<\/td>\n<\/td>\n<\/tr>\n
4<\/td>\nNo Llores Por Mi, Argentina<\/td>\n<\/td>\n<\/tr>\n
5<\/td>\nYo No Quiero Volverme Tan Loco<\/td>\n<\/td>\n<\/tr>\n
7<\/td>\nInconciente Colectivo<\/td>\n<\/td>\n<\/tr>\n
8<\/td>\nNos Siguen Pegando Abajo (Pecado Mortal)<\/td>\n<\/tr>\n
9<\/td>\nLos Dinosaurios<\/td>\n<\/td>\n<\/tr>\n
10<\/td>\nNo Me Dejan Salir<\/td>\n<\/td>\n<\/tr>\n
11<\/td>\nDemoliendo Hoteles<\/td>\n<\/td>\n<\/tr>\n
12<\/td>\nPromesas Sobre El Bidet<\/td>\n<\/td>\n<\/tr>\n
13<\/td>\nRaros Peinados Nuevos<\/td>\n<\/td>\n<\/tr>\n
14<\/td>\nHablando A Tu Coraz\u00f3n<\/td>\n<\/td>\n<\/tr>\n
15<\/td>\nFeaturing \u2013\u00a0Pedro Aznar<\/td>\n<\/td>\n<\/tr>\n
16<\/td>\nPasajera En Trance<\/td>\n<\/td>\n<\/tr>\n
18<\/td>\nNecesito Tu Amor<\/td>\n<\/td>\n<\/tr>\n
19<\/td>\nBuscando Un S\u00edmbolo De Paz<\/td>\n<\/td>\n<\/tr>\n
20<\/td>\nRap De Las Hormigas<\/td>\n<\/td>\n<\/tr>\n
21<\/td>\nNo Voy En Tren<\/td>\n<\/td>\n<\/tr>\n
22<\/td>\nEn La Ruta Del Tentempi\u00e9<\/td>\n<\/td>\n<\/tr>\n
23<\/td>\nFanky<\/td>\n<\/td>\n<\/tr>\n
24<\/td>\nFantasy<\/td>\n<\/td>\n<\/tr>\n
25<\/td>\nNo Toquen<\/td>\n<\/td>\n<\/tr>\n
26<\/td>\nFilosof\u00eda Barata Y Zapatos De Goma<\/td>\n<\/td>\n<\/tr>\n
27<\/td>\nDe Mi<\/td>\n<\/td>\n<\/tr>\n
28<\/td>\nI Feel Much Better (Me Siento Mucho Mejor)<\/td>\n<\/tr>\n
29<\/td>\nHimno Nacional Argentino<\/td>\n<\/td>\n<\/tr>\n
30<\/td>\nCuritas<\/td>\n<\/td>\n<\/tr>\n
31<\/td>\nTu Amor<\/td>\n<\/td>\n<\/tr>\n
33<\/td>\nChipi-Chipi<\/td>\n<\/td>\n<\/tr>\n
34<\/td>\nFax U<\/td>\n<\/td>\n<\/tr>\n
35<\/td>\nLa Sal No Sala<\/td>\n<\/td>\n<\/tr>\n
36<\/td>\nYendo De La Cama Al Living<\/td>\n<\/td>\n<\/tr>\n
37<\/td>\nRezo Por Vos<\/td>\n<\/td>\n<\/tr>\n
38<\/td>\nCerca De La Revoluci\u00f3n<\/td>\n<\/td>\n<\/tr>\n
39<\/td>\nAlguien En El Mundo Piensa En M\u00ed<\/td>\n<\/td>\n<\/tr>\n
40<\/td>\nEl Aguante<\/td>\n<\/td>\n<\/tr>\n
<\/td>\n<\/td>\n<\/td>\n<\/tr>\n
<\/td>\n87-93<\/strong><\/td>\n1993<\/strong><\/td>\n<\/tr>\n
1<\/td>\nNo Voy en Tren<\/td>\n<\/td>\n<\/tr>\n
2<\/td>\nFanky (Album Version)<\/td>\n<\/td>\n<\/tr>\n
3<\/td>\nDe M\u00ed<\/td>\n<\/td>\n<\/tr>\n
4<\/td>\nMe Siento Mucho Mejor<\/td>\n<\/td>\n<\/tr>\n
5<\/td>\nTu Amor<\/td>\n<\/td>\n<\/tr>\n
6<\/td>\nRap de las Hormigas<\/td>\n<\/td>\n<\/tr>\n
7<\/td>\nRezo por Vos<\/td>\n<\/td>\n<\/tr>\n
8<\/td>\nFilosof\u00eda Barata y Zapatos de Goma<\/td>\n<\/td>\n<\/tr>\n
9<\/td>\nBuscando un S\u00edmbolo de Paz<\/td>\n<\/td>\n<\/tr>\n
10<\/td>\nHablando A Tu Coraz\u00f3n<\/td>\n<\/td>\n<\/tr>\n
11<\/td>\nFantasy (Album Version)<\/td>\n<\/td>\n<\/tr>\n
12<\/td>\nLa Ruta del Tentempi\u00e9<\/td>\n<\/td>\n<\/tr>\n
<\/td>\n<\/td>\n<\/td>\n<\/tr>\n
<\/td>\nCharly & Charly<\/strong><\/td>\n1999<\/strong><\/td>\n<\/tr>\n
1<\/td>\nGood Show<\/td>\n<\/td>\n<\/tr>\n
2<\/td>\nUn chico de fin de semana<\/td>\n<\/td>\n<\/tr>\n
3<\/td>\nEl peso<\/td>\n<\/td>\n<\/tr>\n
4<\/td>\nPoseid\u00f3n\/Con su blanca palidez<\/td>\n<\/td>\n<\/tr>\n
5<\/td>\nEl aguante<\/td>\n<\/td>\n<\/tr>\n
6<\/td>\nPromesas sobre el bidet<\/td>\n<\/td>\n<\/tr>\n
7<\/td>\nLos dinosaurios \/ Jirafas<\/td>\n<\/td>\n<\/tr>\n
<\/td>\n<\/td>\n<\/td>\n<\/tr>\n
<\/td>\nOro<\/strong><\/td>\n1995<\/strong><\/td>\n<\/tr>\n
1<\/td>\nYendo de la cama al living<\/td>\n<\/td>\n<\/tr>\n
2<\/td>\nInconsciente colectivo<\/td>\n<\/td>\n<\/tr>\n
3<\/td>\nSuper h\u00e9roes<\/td>\n<\/td>\n<\/tr>\n
4<\/td>\nYo no quiero volverme tan loco<\/td>\n<\/td>\n<\/tr>\n
5<\/td>\nPeluca telef\u00f3nica<\/td>\n<\/td>\n<\/tr>\n
6<\/td>\nC\u00f3mo me gustar\u00eda ser negro<\/td>\n<\/td>\n<\/tr>\n
7<\/td>\nDos cero uno (Transas)<\/td>\n<\/td>\n<\/tr>\n
8<\/td>\nPubis angelical<\/td>\n<\/td>\n<\/tr>\n
9<\/td>\nNo me dejan salir<\/td>\n<\/td>\n<\/tr>\n
10<\/td>\nBancate ese defecto<\/td>\n<\/td>\n<\/tr>\n
11<\/td>\nNo bombardeen Buenos Aires<\/td>\n<\/td>\n<\/tr>\n
12<\/td>\nOjos de video tape<\/td>\n<\/td>\n<\/tr>\n
13<\/td>\nRaros peinados nuevos<\/td>\n<\/td>\n<\/tr>\n
14<\/td>\nPromesas sobre el bidet<\/td>\n<\/td>\n<\/tr>\n
15<\/td>\nDemoliendo hoteles<\/td>\n<\/td>\n<\/tr>\n
16<\/td>\nRezo por vos (demo tape)<\/td>\n<\/td>\n<\/tr>\n
<\/td>\n<\/td>\n<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n

 <\/p>\n

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Cr\u00e9ditos tomados de Wikipedia:<\/div>\n
https:\/\/es.wikipedia.org\/wiki\/Charly_Garc%C3%ADa<\/a><\/div>\n
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