{"id":53462,"date":"2023-03-24T10:47:42","date_gmt":"2023-03-24T16:47:42","guid":{"rendered":"https:\/\/mickyandoniehn.com\/radio\/?p=53462"},"modified":"2023-03-24T10:47:42","modified_gmt":"2023-03-24T16:47:42","slug":"musica-de-la-decada-de-1930","status":"publish","type":"post","link":"http:\/\/mickyandoniehn.com\/radio\/2023\/03\/24\/musica-de-la-decada-de-1930\/","title":{"rendered":"M\u00fasica de la d\u00e9cada de 1930"},"content":{"rendered":"<p class=\"has-drop-cap\">La\u00a0m\u00fasica de la d\u00e9cada de los 30\u00a0no fue tan convulsa y precaria porque se impon\u00eda la estadounidense, pero la europea estaba precedida en realidad por el final de la Primera Guerra Mundial y una d\u00e9cada que parec\u00eda querer olvidar lo que vivieron muchos. El mundo entraba en una especie de proceso de triste madurez o extra\u00f1o desarrollo que llev\u00f3 al final de una forma de ver la vida que mor\u00eda poco a poco tras enfrentarse a una guerra infinita de trincheras, en Europa, y a un periodo de p\u00e9rdida de riqueza, consumo y sue\u00f1o americano en Estados Unidos.<\/p>\n<p>O que se lo pregunten a Fred Astaire, que en gloria est\u00e9: la estrella absoluta de la d\u00e9cada, aunque en realidad tambi\u00e9n de la siguiente, dominando el musical en el cine, el baile en las pantallas y las pistas de baile con su voz y los arreglos y composiciones de Irving Berlin. Sin embargo, este no es el \u00fanico nombre destacado dentro de la m\u00fasica de los a\u00f1os 30. Antonio Mach\u00edn, Marlene Dietrich, Carlos Gardel, la francesa Fr\u00e9hel y los primeros pasos del blues tambi\u00e9n son los protagonistas de la d\u00e9cada.<\/p>\n<p><strong>A continuaci\u00f3n una lista de M\u00fasica de la d\u00e9cada de 1930:<\/strong><\/p>\n<table>\n<tbody>\n<tr>\n<td width=\"30\"><strong>N\u00b0<\/strong><\/td>\n<td width=\"306\"><strong>Titulo<\/strong><\/td>\n<td width=\"288\"><strong>Album<\/strong><\/td>\n<\/tr>\n<tr>\n<td width=\"30\">1<\/td>\n<td width=\"306\">El Manisero &#8211; Antonio Mach\u00edn (con Don Azpiazu y la Havana Casino Orchestra)<\/td>\n<td width=\"288\">Los mejores boleros Latinos<\/td>\n<\/tr>\n<tr>\n<td width=\"30\">2<\/td>\n<td width=\"306\">Ich bin von Kopf bis Fub auf Liebe eingestellt &#8211; Marlene Dietrich<\/td>\n<td width=\"288\">Der blonde Engel- Marlene 100<\/td>\n<\/tr>\n<tr>\n<td width=\"30\">3<\/td>\n<td width=\"306\">Puttin\u2019 On the Ritz &#8211; Fred Astaire<\/td>\n<td width=\"288\">The Complete London Sessions<\/td>\n<\/tr>\n<tr>\n<td width=\"30\">4<\/td>\n<td width=\"306\">Parlez-Moi D\u2019Amour &#8211; Lucienne Boyer<\/td>\n<td width=\"288\">Best Of the Big Bands<\/td>\n<\/tr>\n<tr>\n<td width=\"30\">5<\/td>\n<td width=\"306\">Tico Tico No Fub\u00e0 &#8211; Zequinha de Abreu y la Orquesta Colbaz<\/td>\n<td width=\"288\">Succes de Paris<\/td>\n<\/tr>\n<tr>\n<td width=\"30\">6<\/td>\n<td width=\"306\">A Nous La Libert\u00e9 &#8211; Henri Marchand<\/td>\n<td width=\"288\">Serenata Latina<\/td>\n<\/tr>\n<tr>\n<td width=\"30\">7<\/td>\n<td width=\"306\">Parlami D\u2019Amore, Mari\u00f9 &#8211; Achille Togliani<\/td>\n<td width=\"288\">A nous la liberte<\/td>\n<\/tr>\n<tr>\n<td width=\"30\">8<\/td>\n<td width=\"306\">Night &amp; Day &#8211; Fred Astaire &amp; Leo Reisman<\/td>\n<td width=\"288\">La canzone dell \u2018amore, Vol. 3<\/td>\n<\/tr>\n<tr>\n<td width=\"30\">9<\/td>\n<td width=\"306\">Brother, Can You Spare a Dime? &#8211; Bing Crosby<\/td>\n<td width=\"288\">Mr. Top hat<\/td>\n<\/tr>\n<tr>\n<td width=\"30\">10<\/td>\n<td width=\"306\">All Of Me &#8211; Louis Armstrong<\/td>\n<td width=\"288\">The Essential Bing Crosby<\/td>\n<\/tr>\n<tr>\n<td width=\"30\">11<\/td>\n<td width=\"306\">Granada &#8211; Agust\u00edn Lara<\/td>\n<td width=\"288\">The Great Depression- American Music<\/td>\n<\/tr>\n<tr>\n<td width=\"30\">12<\/td>\n<td width=\"306\">It Don\u2019t Mean A Thing (If It Ain\u2019t Got That Swing) &#8211; Duke Ellington<\/td>\n<td width=\"288\">Passion: The Love album<\/td>\n<\/tr>\n<tr>\n<td width=\"30\">13<\/td>\n<td width=\"306\">Black Betty &#8211; James Iron Head Baker<\/td>\n<td width=\"288\">The Great Reunion<\/td>\n<\/tr>\n<tr>\n<td width=\"30\">14<\/td>\n<td width=\"306\">We Are In The Money &#8211; Ginger Rogers &amp; Gold Diggers<\/td>\n<td width=\"288\">Jail House Bound<\/td>\n<\/tr>\n<tr>\n<td width=\"30\">15<\/td>\n<td width=\"306\">Stormy Weather (Keeps Rainin\u2019 All the Time) &#8211; Ethel Waters<\/td>\n<td width=\"288\">We Are In The Money<\/td>\n<\/tr>\n<tr>\n<td width=\"30\">16<\/td>\n<td width=\"306\">Cambalache &#8211; Sof\u00eda \u201cLa Negra\u201d Boz\u00e1n<\/td>\n<td width=\"288\">Stormy Weather<\/td>\n<\/tr>\n<tr>\n<td width=\"30\">17<\/td>\n<td width=\"306\">Si Tu N\u2019\u00c9tais Pas L\u00e0 &#8211; Fr\u00e9hel<\/td>\n<td width=\"288\">Maison Louche (1934-1939)<\/td>\n<\/tr>\n<tr>\n<td width=\"30\">18<\/td>\n<td width=\"306\">Blue Moon &#8211; Billie Holiday<\/td>\n<td width=\"288\">You Go to My Head<\/td>\n<\/tr>\n<tr>\n<td width=\"30\">19<\/td>\n<td width=\"306\">El D\u00eda Que Me Quieras &#8211; Carlos Gardel<\/td>\n<td width=\"288\">El Album de Oro de Carlos Gardel<\/td>\n<\/tr>\n<tr>\n<td width=\"30\">20<\/td>\n<td width=\"306\">Canto &#8211; Francisco Canaro<\/td>\n<td width=\"288\">The Roots of Tango- Desconfiale<\/td>\n<\/tr>\n<tr>\n<td width=\"30\">21<\/td>\n<td width=\"306\">Cheek To Cheek &#8211; Fred Astaire<\/td>\n<td width=\"288\">\u00c9xitos de pelicula<\/td>\n<\/tr>\n<tr>\n<td width=\"30\">22<\/td>\n<td width=\"306\">Ta Ostatnia Niedziela &#8211; Jerzy Petersburski<\/td>\n<td width=\"288\">Tango Of The World<\/td>\n<\/tr>\n<tr>\n<td width=\"30\">23<\/td>\n<td width=\"306\">Silent Night &#8211; Bing Crosby<\/td>\n<td width=\"288\">A Centennial Anthology of His Decca Recordings<\/td>\n<\/tr>\n<tr>\n<td width=\"30\">24<\/td>\n<td width=\"306\">Por Una Cabeza &#8211; Carlos Gardel<\/td>\n<td width=\"288\">Los \u00e9xitos de sus pel\u00edculas<\/td>\n<\/tr>\n<tr>\n<td width=\"30\">25<\/td>\n<td width=\"306\">Volver &#8211; Carlos Gardel<\/td>\n<td width=\"288\">El album de Oro de Carlos Gardel<\/td>\n<\/tr>\n<tr>\n<td width=\"30\">26<\/td>\n<td width=\"306\">Sing, Sing, Sing (With A Swing) &#8211; Benny Goodman Orchestra<\/td>\n<td width=\"288\">This Is Jazz #4<\/td>\n<\/tr>\n<tr>\n<td width=\"30\">27<\/td>\n<td width=\"306\">Palpite Infeliz &#8211; Aracy De Almeida<\/td>\n<td width=\"288\">100 Anos de Aracy de Almeida<\/td>\n<\/tr>\n<tr>\n<td width=\"30\">28<\/td>\n<td width=\"306\">Quand On Se Prom\u00e8ne Au Bord De L\u2019Eau &#8211; Jean Gabin<\/td>\n<td width=\"288\">1936: Les chansons de cette ann\u00e9e-la<\/td>\n<\/tr>\n<tr>\n<td width=\"30\">29<\/td>\n<td width=\"306\">Some Day My Prince Will Come &#8211; Adriana Caselotti<\/td>\n<td width=\"288\">Show White and the seven Dwarfs<\/td>\n<\/tr>\n<tr>\n<td width=\"30\">30<\/td>\n<td width=\"306\">Minor Swing &#8211; Django Reinhardt<\/td>\n<td width=\"288\">Souvenirs de Django Reinhardt<\/td>\n<\/tr>\n<tr>\n<td width=\"30\">31<\/td>\n<td width=\"306\">Fritiof Och Carmencita &#8211; Evert Taube<\/td>\n<td width=\"288\">Oh, Eviga Ungdom<\/td>\n<\/tr>\n<tr>\n<td width=\"30\">32<\/td>\n<td width=\"306\">When The Saints Go Marching In &#8211; Virgil Oliver Stamps<\/td>\n<td width=\"288\">American Voice<\/td>\n<\/tr>\n<tr>\n<td width=\"30\">33<\/td>\n<td width=\"306\">La Chanson Des Fortifs &#8211; Fr\u00e9hel<\/td>\n<td width=\"288\">Fr\u00e9hel<\/td>\n<\/tr>\n<tr>\n<td width=\"30\">34<\/td>\n<td width=\"306\">Big Noise From Winnetka &#8211; Bob Crosby Orchestra<\/td>\n<td width=\"288\">Bob Crosby and His Orchestra<\/td>\n<\/tr>\n<tr>\n<td width=\"30\">35<\/td>\n<td width=\"306\">In The Mood &#8211; Glenn Miller<\/td>\n<td width=\"288\">Greatest Hits<\/td>\n<\/tr>\n<tr>\n<td width=\"30\">36<\/td>\n<td width=\"306\">Somewhere Over The Rainbow &#8211; Judy Garland<\/td>\n<td width=\"288\">Somewhere Over The Rainbow<\/td>\n<\/tr>\n<tr>\n<td width=\"30\">37<\/td>\n<td width=\"306\">Strange Fruit &#8211; Billie Holiday<\/td>\n<td width=\"288\">Billie Holiday<\/td>\n<\/tr>\n<tr>\n<td width=\"30\">38<\/td>\n<td width=\"306\">Suspiros De Espa\u00f1a, de Estrellita Castro<\/td>\n<td width=\"288\">El suspiro de la Copla<\/td>\n<\/tr>\n<tr>\n<td width=\"30\">39<\/td>\n<td width=\"306\">La Java Bleue, de Fr\u00e9hel<\/td>\n<td width=\"288\">Fr\u00e9hel<\/td>\n<\/tr>\n<tr>\n<td width=\"30\">40<\/td>\n<td width=\"306\">Lili Marleen, de Lale Andersen<\/td>\n<td width=\"288\">Schlager Und Starts<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n","protected":false},"excerpt":{"rendered":"<p>La\u00a0m\u00fasica de la d\u00e9cada de los 30\u00a0no fue tan convulsa y precaria porque se impon\u00eda la estadounidense, pero la europea estaba precedida en realidad por el final de la Primera Guerra Mundial y una d\u00e9cada que parec\u00eda querer olvidar lo que vivieron muchos. El mundo entraba en una especie de proceso de triste madurez o &hellip;<\/p>\n","protected":false},"author":1,"featured_media":53487,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_jetpack_memberships_contains_paid_content":false,"footnotes":""},"categories":[20],"tags":[],"class_list":["post-53462","post","type-post","status-publish","format-standard","has-post-thumbnail","","category-articulos-sobre-musica-del-siglo-xx"],"jetpack_sharing_enabled":true,"jetpack_featured_media_url":"http:\/\/mickyandoniehn.com\/radio\/wp-content\/uploads\/2023\/03\/musicadelacadeca1930.png","_links":{"self":[{"href":"http:\/\/mickyandoniehn.com\/radio\/wp-json\/wp\/v2\/posts\/53462","targetHints":{"allow":["GET"]}}],"collection":[{"href":"http:\/\/mickyandoniehn.com\/radio\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"http:\/\/mickyandoniehn.com\/radio\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"http:\/\/mickyandoniehn.com\/radio\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"http:\/\/mickyandoniehn.com\/radio\/wp-json\/wp\/v2\/comments?post=53462"}],"version-history":[{"count":1,"href":"http:\/\/mickyandoniehn.com\/radio\/wp-json\/wp\/v2\/posts\/53462\/revisions"}],"predecessor-version":[{"id":53488,"href":"http:\/\/mickyandoniehn.com\/radio\/wp-json\/wp\/v2\/posts\/53462\/revisions\/53488"}],"wp:featuredmedia":[{"embeddable":true,"href":"http:\/\/mickyandoniehn.com\/radio\/wp-json\/wp\/v2\/media\/53487"}],"wp:attachment":[{"href":"http:\/\/mickyandoniehn.com\/radio\/wp-json\/wp\/v2\/media?parent=53462"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"http:\/\/mickyandoniehn.com\/radio\/wp-json\/wp\/v2\/categories?post=53462"},{"taxonomy":"post_tag","embeddable":true,"href":"http:\/\/mickyandoniehn.com\/radio\/wp-json\/wp\/v2\/tags?post=53462"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}