{"id":53443,"date":"2023-03-24T09:33:45","date_gmt":"2023-03-24T15:33:45","guid":{"rendered":"https:\/\/mickyandoniehn.com\/radio\/?p=53443"},"modified":"2023-03-24T09:36:18","modified_gmt":"2023-03-24T15:36:18","slug":"musica-de-la-decada-de-1920","status":"publish","type":"post","link":"http:\/\/mickyandoniehn.com\/radio\/2023\/03\/24\/musica-de-la-decada-de-1920\/","title":{"rendered":"M\u00fasica de la d\u00e9cada de 1920"},"content":{"rendered":"<p class=\"has-drop-cap\">Para muchos, esta d\u00e9cada es conocida como los felices a\u00f1os 20. Esto se debe, principalmente, al institucionalizado sue\u00f1o americano, a los avances tecnol\u00f3gicos dentro y fuera del hogar. Pasar de carromatos a coches y a que cualquier familia pudiera adquirir y consumir, en gran medida. Pero, sin duda, tambi\u00e9n fueron felices gracias a la m\u00fasica de los 20 y a los bailes asociados.<\/p>\n<p>Eso en Estados Unidos. En Europa podemos hablar de felicidad entre aquellos que vieron que terminaba la Gran Guerra y no perdieron o vivieron en absoluta pobreza. Est\u00e1 claro que hubo un resurgir de ganas de vivir, pero el desgaste que supuso para muchos pasar 4 a\u00f1os en una contienda b\u00e9lica que lo cambiaba todo respecto a otras guerras lo podemos notar en muchas canciones de los a\u00f1os 20 en espa\u00f1ol.<\/p>\n<p>Eso tambi\u00e9n lo veremos en la m\u00fasica de los 20 porque la amargura forma parte de muchos cantantes, especialmente franceses. Muchos de ellos siguen siendo mitos hoy en d\u00eda, con pel\u00edculas sobre su vida que recuerda sus grandes canciones y estos tiempos tan movidos. Pocos intuir\u00edan lo que llegar\u00eda d\u00e9cada y media despu\u00e9s. Y eso sin olvidarnos de la historia latinoamericana, que tambi\u00e9n tuvo lo suyo y podemos sentirlo con los tangos del entonces todav\u00eda conocido en diminutivo\u00a0<span title=\"Carlitos Gardel\">Carlitos Gardel\u00a0<\/span>o los mariachis.<\/p>\n<p><strong>A continuacion, una lista de m\u00fasica de la d\u00e9cada de 1920:<\/strong><\/p>\n<table width=\"672\">\n<tbody>\n<tr>\n<td style=\"text-align: center;\" width=\"48\"><strong>N\u00b0<\/strong><\/td>\n<td style=\"text-align: center;\" width=\"306\"><strong>Titulo<\/strong><\/td>\n<td style=\"text-align: center;\" width=\"318\"><strong>\u00c1lbum<\/strong><\/td>\n<\/tr>\n<tr>\n<td width=\"48\">1<\/td>\n<td width=\"306\">Mon Homme &#8211; Mistinguett<\/td>\n<td width=\"318\">Du Caf\u00b4 Conc\u00b4 au Music Hall<\/td>\n<\/tr>\n<tr>\n<td width=\"48\">2<\/td>\n<td width=\"306\">National Hora &#8211; Abe Schwartz<\/td>\n<td width=\"318\">Classic Yiddish Klezmer, Vol. 2<\/td>\n<\/tr>\n<tr>\n<td width=\"48\">3<\/td>\n<td width=\"306\">All By Myself &#8211; Flo Bert<\/td>\n<td width=\"318\">Legendary Voices of Vaudeville<\/td>\n<\/tr>\n<tr>\n<td width=\"48\">4<\/td>\n<td width=\"306\">Fumando Espero &#8211; Pilar Arcos<\/td>\n<td width=\"318\">La Voz Inmortal de Pilar Arcos<\/td>\n<\/tr>\n<tr>\n<td width=\"48\">5<\/td>\n<td width=\"306\">Tu Sola &#8211; Beniamino Gigli<\/td>\n<td width=\"318\">I grandi successi: Beniamino Gigli<\/td>\n<\/tr>\n<tr>\n<td width=\"48\">6<\/td>\n<td width=\"306\">Charleston &#8211; James P. Johnson<\/td>\n<td width=\"318\">The Legend of J.P. Johnson<\/td>\n<\/tr>\n<tr>\n<td width=\"48\">7<\/td>\n<td width=\"306\">Wild Women Don\u2019t Have the Blues &#8211; Ida Cox<\/td>\n<td width=\"318\">The Complete Recordings, Vol. 4<\/td>\n<\/tr>\n<tr>\n<td width=\"48\">8<\/td>\n<td width=\"306\">La Dolores &#8211; Miguel Fleta<\/td>\n<td width=\"318\">Miguel Fleta<\/td>\n<\/tr>\n<tr>\n<td width=\"48\">9<\/td>\n<td width=\"306\">The Prisoner\u2019s Song &#8211; Vernon Dalhart<\/td>\n<td width=\"318\">Greatest Hits Of The 20\u00b4s<\/td>\n<\/tr>\n<tr>\n<td width=\"48\">10<\/td>\n<td width=\"306\">Death Letter Blues &#8211; Ida Cox<\/td>\n<td width=\"318\">Ida Cox Vol. 2 1924- 1925<\/td>\n<\/tr>\n<tr>\n<td width=\"48\">11<\/td>\n<td width=\"306\">Amicizia Mazurka &#8211; Nullo Romani<\/td>\n<td width=\"318\">Paese mio Bello<\/td>\n<\/tr>\n<tr>\n<td width=\"48\">12<\/td>\n<td width=\"306\">The Memphis Blues &#8211; Sam Ku West<\/td>\n<td width=\"318\">100% Steel Guitar, Vol. 2<\/td>\n<\/tr>\n<tr>\n<td width=\"48\">13<\/td>\n<td width=\"306\">I\u2019m Sitting On Top Of The World &#8211; Al Jolson<\/td>\n<td width=\"318\">Rainbow \u2018Round My Shoulder<\/td>\n<\/tr>\n<tr>\n<td width=\"48\">14<\/td>\n<td width=\"306\">A Media Luz &#8211; Carlos Gardel<\/td>\n<td width=\"318\">Selecci\u00f3n Especial (Remastered)<\/td>\n<\/tr>\n<tr>\n<td width=\"48\">15<\/td>\n<td width=\"306\">Dark Was the Night \u2013 Cold Was the Ground &#8211; Blind Willie Johnson<\/td>\n<td width=\"318\">Dark Was The Night<\/td>\n<\/tr>\n<tr>\n<td width=\"48\">16<\/td>\n<td width=\"306\">\u2026Y Re\u00edas Como Loca &#8211; Carlos Gardel<\/td>\n<td width=\"318\">Su mejor \u00c9poca<\/td>\n<\/tr>\n<tr>\n<td width=\"48\">17<\/td>\n<td width=\"306\">Purrete De Mi Amor &#8211; Azucena Maizani<\/td>\n<td width=\"318\">40 grandes \u00c9xitos<\/td>\n<\/tr>\n<tr>\n<td width=\"48\">18<\/td>\n<td width=\"306\">En Tierra Extra\u00f1a &#8211; Concha Piquer<\/td>\n<td width=\"318\">Antolog\u00eda, Vol. 5<\/td>\n<\/tr>\n<tr>\n<td width=\"48\">19<\/td>\n<td width=\"306\">Watching the Trains Come In &#8211; Vernon Dalhart<\/td>\n<td width=\"318\">Popular 1920\u00b4s country Ballads, Vol. 3<\/td>\n<\/tr>\n<tr>\n<td width=\"48\">20<\/td>\n<td width=\"306\">La Cha\u00eene &#8211; Damia<\/td>\n<td width=\"318\">50 succ\u00e9s essentiels<\/td>\n<\/tr>\n<tr>\n<td width=\"48\">21<\/td>\n<td width=\"306\">God\u2019s Warning To The Church &#8211; Josie Miles &amp; Elizabeth Cooper<\/td>\n<td width=\"318\">Gospel Classics, Vol. 3<\/td>\n<\/tr>\n<tr>\n<td width=\"48\">22<\/td>\n<td width=\"306\">Creole Love Call &#8211; Duke Ellington and His Orchestra<\/td>\n<td width=\"318\">The Duke<\/td>\n<\/tr>\n<tr>\n<td width=\"48\">23<\/td>\n<td width=\"306\">Tired Of Being Mistreated \u2013 Part 1 &#8211; Clifford Gibson<\/td>\n<td width=\"318\">Clifford Gibson<\/td>\n<\/tr>\n<tr>\n<td width=\"48\">24<\/td>\n<td width=\"306\">Ilusi\u00f3n &#8211; El Trio Argentino Irusta-Fugazot-Demare<\/td>\n<td width=\"318\">Irusta, Fugazot, Demare<\/td>\n<\/tr>\n<tr>\n<td width=\"48\">25<\/td>\n<td width=\"306\">Knockin\u2019 A Jug &#8211; Louis Armstrong And His Orchestra<\/td>\n<td width=\"318\">Milestones of a Jazz Legend<\/td>\n<\/tr>\n<tr>\n<td width=\"48\">26<\/td>\n<td width=\"306\">Nobody Knows You When You\u2019re Down and Out &#8211; Bessie Smith<\/td>\n<td width=\"318\">Ida Cox Vol. 2<\/td>\n<\/tr>\n<tr>\n<td width=\"48\">27<\/td>\n<td width=\"306\">Lagarterana &#8211; Raquel Meller<\/td>\n<td width=\"318\">M\u00e1s que a todo<\/td>\n<\/tr>\n<tr>\n<td width=\"48\">28<\/td>\n<td width=\"306\">Zaraza &#8211; Salvador Pizarro Y Su Orquesta Tipica Argentina<\/td>\n<td width=\"318\">Tango Passion, Vol. 2<\/td>\n<\/tr>\n<tr>\n<td width=\"48\">29<\/td>\n<td width=\"306\">Guantanamera &#8211; Jose\u00edto Fern\u00e1ndez<\/td>\n<td width=\"318\">La m\u00fasica de la Bodeguita, Vol. 1<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n","protected":false},"excerpt":{"rendered":"<p>Para muchos, esta d\u00e9cada es conocida como los felices a\u00f1os 20. Esto se debe, principalmente, al institucionalizado sue\u00f1o americano, a los avances tecnol\u00f3gicos dentro y fuera del hogar. Pasar de carromatos a coches y a que cualquier familia pudiera adquirir y consumir, en gran medida. Pero, sin duda, tambi\u00e9n fueron felices gracias a la m\u00fasica &hellip;<\/p>\n","protected":false},"author":1,"featured_media":53461,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_jetpack_memberships_contains_paid_content":false,"footnotes":""},"categories":[20],"tags":[],"class_list":["post-53443","post","type-post","status-publish","format-standard","has-post-thumbnail","","category-articulos-sobre-musica-del-siglo-xx"],"jetpack_sharing_enabled":true,"jetpack_featured_media_url":"http:\/\/mickyandoniehn.com\/radio\/wp-content\/uploads\/2023\/03\/musicadelacadeca1920.png","_links":{"self":[{"href":"http:\/\/mickyandoniehn.com\/radio\/wp-json\/wp\/v2\/posts\/53443","targetHints":{"allow":["GET"]}}],"collection":[{"href":"http:\/\/mickyandoniehn.com\/radio\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"http:\/\/mickyandoniehn.com\/radio\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"http:\/\/mickyandoniehn.com\/radio\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"http:\/\/mickyandoniehn.com\/radio\/wp-json\/wp\/v2\/comments?post=53443"}],"version-history":[{"count":3,"href":"http:\/\/mickyandoniehn.com\/radio\/wp-json\/wp\/v2\/posts\/53443\/revisions"}],"predecessor-version":[{"id":53460,"href":"http:\/\/mickyandoniehn.com\/radio\/wp-json\/wp\/v2\/posts\/53443\/revisions\/53460"}],"wp:featuredmedia":[{"embeddable":true,"href":"http:\/\/mickyandoniehn.com\/radio\/wp-json\/wp\/v2\/media\/53461"}],"wp:attachment":[{"href":"http:\/\/mickyandoniehn.com\/radio\/wp-json\/wp\/v2\/media?parent=53443"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"http:\/\/mickyandoniehn.com\/radio\/wp-json\/wp\/v2\/categories?post=53443"},{"taxonomy":"post_tag","embeddable":true,"href":"http:\/\/mickyandoniehn.com\/radio\/wp-json\/wp\/v2\/tags?post=53443"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}