{"id":258,"date":"2021-10-13T00:00:00","date_gmt":"2021-10-13T00:00:00","guid":{"rendered":"http:\/\/mickyandoniehn.com\/radio\/?p=258"},"modified":"2022-09-01T11:38:20","modified_gmt":"2022-09-01T17:38:20","slug":"nana-mouskouri","status":"publish","type":"post","link":"http:\/\/mickyandoniehn.com\/radio\/2021\/10\/13\/nana-mouskouri\/","title":{"rendered":"Nana Mouskouri"},"content":{"rendered":"\r\n<div class=\"wp-block-image\">\r\n<figure class=\"aligncenter size-full is-resized\">\r\n<p style=\"text-align: justify;\"><img loading=\"lazy\" decoding=\"async\" class=\" wp-image-23640 aligncenter\" src=\"http:\/\/mickyandoniehn.com\/radio\/wp-content\/uploads\/2022\/07\/Nana-Mouskouri-198x300.jpg\" alt=\"\" width=\"391\" height=\"592\" srcset=\"http:\/\/mickyandoniehn.com\/radio\/wp-content\/uploads\/2022\/07\/Nana-Mouskouri-198x300.jpg 198w, http:\/\/mickyandoniehn.com\/radio\/wp-content\/uploads\/2022\/07\/Nana-Mouskouri.jpg 478w\" sizes=\"auto, (max-width: 391px) 100vw, 391px\" \/><\/p>\r\n<p>&nbsp;<\/p>\r\n<div class=\"cxmmr5t8 oygrvhab hcukyx3x c1et5uql o9v6fnle ii04i59q\" style=\"text-align: justify;\">\r\n<div dir=\"auto\"><strong>Fecha de Nacimiento<\/strong> 13 de octubre de 1934<\/div>\r\n<p>&nbsp;<\/p>\r\n<div dir=\"auto\">\u00a0<\/div>\r\n<\/div>\r\n<div class=\"cxmmr5t8 oygrvhab hcukyx3x c1et5uql o9v6fnle ii04i59q\" style=\"text-align: justify;\">\r\n<div dir=\"auto\"><strong>Biograf\u00eda<\/strong><\/div>\r\n<p>&nbsp;<\/p>\r\n<div dir=\"auto\">\u00a0<\/div>\r\n<div dir=\"auto\">Es una cantante griega, particular por ser una de las solistas con mayores ventas en la historia, con m\u00e1s de 300 millones de discos, casetes y CD.<\/div>\r\n<p>&nbsp;<\/p>\r\n<\/div>\r\n<div class=\"cxmmr5t8 oygrvhab hcukyx3x c1et5uql o9v6fnle ii04i59q\" style=\"text-align: justify;\">\r\n<div dir=\"auto\">Inici\u00f3 su carrera a temprana edad y se estableci\u00f3 con su familia en Atenas, donde su padre trabajaba como proyeccionista de cine, ah\u00ed comenz\u00f3 el amor de Nana por el arte, especialmente la m\u00fasica.<\/div>\r\n<p>&nbsp;<\/p>\r\n<div dir=\"auto\">\u00a0<\/div>\r\n<\/div>\r\n<div class=\"cxmmr5t8 oygrvhab hcukyx3x c1et5uql o9v6fnle ii04i59q\" style=\"text-align: justify;\">\r\n<div dir=\"auto\">Al comenzar la Segunda Guerra Mundial, Nana continu\u00f3 con sus estudios, gracias al apoyo de su profesor de m\u00fasica y permaneci\u00f3 en el conservatorio hasta 1950. Luego cant\u00f3 en peque\u00f1os clubes nocturnos, donde Harry Balafones la dar\u00eda a conocer posteriormente.<\/div>\r\n<p>&nbsp;<\/p>\r\n<div dir=\"auto\">\u00a0<\/div>\r\n<\/div>\r\n<div class=\"cxmmr5t8 oygrvhab hcukyx3x c1et5uql o9v6fnle ii04i59q\" style=\"text-align: justify;\">\r\n<div dir=\"auto\">Desde 1959 en adelante, se inician los triunfos para Nana, gracias a sus experiencias con diversos g\u00e9neros musicales (Pop, Jazz, Folcl\u00f3rica, Cl\u00e1sica, Gospel, etc.). En Estados Unidos lleg\u00f3 a grabar un \u00e1lbum con Quincy Jones y actu\u00f3 en televisi\u00f3n junto a Harry Belafonte.<\/div>\r\n<p>&nbsp;<\/p>\r\n<div dir=\"auto\">\u00a0<\/div>\r\n<\/div>\r\n<div class=\"cxmmr5t8 oygrvhab hcukyx3x c1et5uql o9v6fnle ii04i59q\" style=\"text-align: justify;\">\r\n<div dir=\"auto\">Gan\u00f3 dos premios de la canci\u00f3n griega. Su primer triunfo internacional fue en 1960, en el Festival Internacional del Mediterr\u00e1neo en Barcelona. Tambi\u00e9n fue premiada su canci\u00f3n Nunca en Domingo. Un a\u00f1o despu\u00e9s, le sigui\u00f3 el Le\u00f3n de Oro de Berl\u00edn, por la m\u00fasica del documental Grecia, Tierra de Sue\u00f1os (\u0395\u03bb\u03bb\u03ac\u03b4\u03b1, \u03b7 \u03c7\u03ce\u03c1\u03b1 \u03c4\u03c9\u03bd \u03bf\u03bd\u03b5\u03b9\u03c1\u03ce\u03bd). En ese mismo a\u00f1o gana su primer disco de oro por la canci\u00f3n en alem\u00e1n &#8220;Weisse Rosen aus Athen&#8221; (&#8220;La Rosa blanca de Atenas&#8221;).<\/div>\r\n<p>&nbsp;<\/p>\r\n<div dir=\"auto\">\u00a0<\/div>\r\n<\/div>\r\n<div class=\"cxmmr5t8 oygrvhab hcukyx3x c1et5uql o9v6fnle ii04i59q\" style=\"text-align: justify;\">\r\n<div dir=\"auto\">En 1963 represent\u00f3 a Luxemburgo en el Festival de la Canci\u00f3n de Eurovisi\u00f3n con &#8220;\u00c0 force de prier&#8221; quedando en la 8.\u00aa posici\u00f3n. Luego alcanza otro gran \u00e9xito con &#8220;Los paraguas de Cherburgo&#8221;, compuesta por Michel Legrand; pero posiblemente su canci\u00f3n m\u00e1s popular es &#8220;Libertad&#8221; (&#8220;Je chante avec toi Libert\u00e9&#8221;) en 1981, que graba en cinco idiomas y que es una adaptaci\u00f3n del &#8220;Va pensiero&#8221; de la \u00f3pera Nabucco de Giuseppe Verdi.<\/div>\r\n<p>&nbsp;<\/p>\r\n<\/div>\r\n<div dir=\"auto\" style=\"text-align: justify;\">\u00a0<\/div>\r\n<div dir=\"auto\" style=\"text-align: justify;\">\u00a0<\/div>\r\n<div dir=\"auto\" style=\"text-align: justify;\"><strong>Date of Birth<\/strong>\u00a0October 13, 1934<\/div>\r\n<p>&nbsp;<\/p>\r\n<div dir=\"auto\">\u00a0<\/div>\r\n<div dir=\"auto\" style=\"text-align: justify;\"><strong>Biography <\/strong><\/div>\r\n<p>&nbsp;<\/p>\r\n<div dir=\"auto\" style=\"text-align: justify;\">\u00a0<\/div>\r\n<div dir=\"auto\" style=\"text-align: justify;\">She is a Greek singer, particular for being one of the best-selling soloists in history, with more than 300 million records, caspetes and CDs.<\/div>\r\n<p>&nbsp;<\/p>\r\n<div dir=\"auto\" style=\"text-align: justify;\">She began her career at an early age and settled with her family in Athens, where her father worked as a movie projectionist, where Nana&#8217;s love for art, especially music, began.<br \/>At the beginning of World War II, Nana continued her studies, thanks to the support of her music teacher and remained at the conservatory until 1950. She then sang in small nightclubs, where Harry Balafones would later make her known.<\/div>\r\n<p>&nbsp;<\/p>\r\n<div dir=\"auto\" style=\"text-align: justify;\">From 1959 onwards, Nana&#8217;s triumphs begin, thanks to her experiences with various musical genres (Pop, Jazz, Folkloric, Classical, Gospel, etc.). In the United States he recorded an album with Quincy Jones and acted on television with Harry Belafonte.<\/div>\r\n<p>&nbsp;<\/p>\r\n<div dir=\"auto\" style=\"text-align: justify;\">It won two Greek song awards. His first international triumph was in 1960, at the International Festival of the Mediterranean in Barcelona. His song Never on Sunday was also awarded. A year later, the Golden Lion of Berlin followed, for the music of the documentary Greece, Land of Dreams (\u0395\u03bb\u03bb\u03ac\u03b4\u03b1, \u03b7 \u03c7\u03ce\u03c1\u03b1 \u03c4\u03c9\u03bd \u03bf\u03bd\u03b5\u03b9\u03c1\u03ce\u03bd). In that same year he won his first gold record for the German-language song &#8220;Weisse Rosen aus Athen&#8221; (&#8220;The White Rose of Athens&#8221;).<\/div>\r\n<p>&nbsp;<\/p>\r\n<div dir=\"auto\" style=\"text-align: justify;\">In 1963 he represented Luxembourg in the Eurovision Song Contest with &#8220;\u00c0 force de prier&#8221; coming in 8th position. Then he achieved another great success with &#8220;The Umbrellas of Cherbourg&#8221;, composed by Michel Legrand; but possibly his most popular song is &#8220;Libertad&#8221; (&#8220;Je chante avec toi Libert\u00e9&#8221;) in 1981, which he records in five languages \u200b\u200band which is an adaptation of &#8220;Va pensiero&#8221; from Giuseppe Verdi&#8217;s opera Nabucco.<\/div>\r\n<p>&nbsp;<\/p>\r\n<div dir=\"auto\" style=\"text-align: justify;\">\u00a0<\/div>\r\n<div dir=\"auto\" style=\"text-align: justify;\">\u00a0<\/div>\r\n<div class=\"cxmmr5t8 oygrvhab hcukyx3x c1et5uql o9v6fnle ii04i59q\" style=\"text-align: justify;\">\r\n<div dir=\"auto\"><strong>Discograf\u00eda<\/strong><\/div>\r\n<p>&nbsp;<\/p>\r\n<div dir=\"auto\">\u00a0<\/div>\r\n<\/div>\r\n<div dir=\"auto\">\r\n<table width=\"589\">\r\n<tbody>\r\n<tr>\r\n<td style=\"text-align: center;\" width=\"98\"><strong>G\u00e9nero\u00a0 Pop<\/strong><\/td>\r\n<td style=\"text-align: center;\" width=\"394\"><strong>Escuchar Tema<\/strong><\/td>\r\n<td style=\"text-align: center;\" width=\"97\"><strong>A\u00f1o de Publicaci\u00f3n<\/strong><\/td>\r\n<\/tr>\r\n<tr>\r\n<td>1<\/td>\r\n<td>Nana Mouskouri Canta canciones populares griegas<\/td>\r\n<td>1960<\/td>\r\n<\/tr>\r\n<tr>\r\n<td>2<\/td>\r\n<td>I megales epitichies tis Nana Mouskouri<\/td>\r\n<td>1961<\/td>\r\n<\/tr>\r\n<tr>\r\n<td>3<\/td>\r\n<td>Ta prota mas tragoudia<\/td>\r\n<td>1961<\/td>\r\n<\/tr>\r\n<tr>\r\n<td>4<\/td>\r\n<td>The White Rose of Athens<\/td>\r\n<td>1961<\/td>\r\n<\/tr>\r\n<tr>\r\n<td>5<\/td>\r\n<td>Greece, Land of Dreams<\/td>\r\n<td>1962<\/td>\r\n<\/tr>\r\n<tr>\r\n<td>6<\/td>\r\n<td>The Girl From Greece Sings<\/td>\r\n<td>1962<\/td>\r\n<\/tr>\r\n<tr>\r\n<td>7<\/td>\r\n<td>Roses Blanches de Corfu<\/td>\r\n<td>1962<\/td>\r\n<\/tr>\r\n<tr>\r\n<td>8<\/td>\r\n<td>Ce Soir A Luna Par<\/td>\r\n<td>1962<\/td>\r\n<\/tr>\r\n<tr>\r\n<td>9<\/td>\r\n<td>Crois-Moi \u00e7a durera<\/td>\r\n<td>1962<\/td>\r\n<\/tr>\r\n<tr>\r\n<td>10<\/td>\r\n<td>Un homme est venu<\/td>\r\n<td>1963<\/td>\r\n<\/tr>\r\n<tr>\r\n<td>11<\/td>\r\n<td>Sings Greek Songs-Never On Sunday<\/td>\r\n<td>1963<\/td>\r\n<\/tr>\r\n<tr>\r\n<td>12<\/td>\r\n<td>Celui Que j&#8217;aime<\/td>\r\n<td>1964<\/td>\r\n<\/tr>\r\n<tr>\r\n<td>13<\/td>\r\n<td>The Voice of Greece<\/td>\r\n<td>1964<\/td>\r\n<\/tr>\r\n<tr>\r\n<td>14<\/td>\r\n<td>Chante en Grec<\/td>\r\n<td>1965<\/td>\r\n<\/tr>\r\n<tr>\r\n<td>15<\/td>\r\n<td>Nana Mouskouri et Michael Legrand<\/td>\r\n<td>1965<\/td>\r\n<\/tr>\r\n<tr>\r\n<td>16<\/td>\r\n<td>Griechische Gitarren mit Nana Mouskouri<\/td>\r\n<td>1965<\/td>\r\n<\/tr>\r\n<tr>\r\n<td>17<\/td>\r\n<td>Nana Mouskouri in Italia<\/td>\r\n<td>1965<\/td>\r\n<\/tr>\r\n<tr>\r\n<td>18<\/td>\r\n<td>Nana&#8217;s Choice<\/td>\r\n<td>1965<\/td>\r\n<\/tr>\r\n<tr>\r\n<td>19<\/td>\r\n<td>Nana Sings<\/td>\r\n<td>1965<\/td>\r\n<\/tr>\r\n<tr>\r\n<td>20<\/td>\r\n<td>An Evening with Belafonte\/Mouskouri<\/td>\r\n<td>1966<\/td>\r\n<\/tr>\r\n<tr>\r\n<td>21<\/td>\r\n<td>Le C\u0153ur trop tendre<\/td>\r\n<td>1966<\/td>\r\n<\/tr>\r\n<tr>\r\n<td>22<\/td>\r\n<td>Strasse der hunderttausend Lichter<\/td>\r\n<td>1966<\/td>\r\n<\/tr>\r\n<tr>\r\n<td>23<\/td>\r\n<td>Nana Mouskouri in Paris<\/td>\r\n<td>1966<\/td>\r\n<\/tr>\r\n<tr>\r\n<td>24<\/td>\r\n<td>Moje Najlepse gr\u010dke pesme -Yugoslavia<\/td>\r\n<td>1966<\/td>\r\n<\/tr>\r\n<tr>\r\n<td>25<\/td>\r\n<td>Pesme Moje zemlje -Yugoslavia<\/td>\r\n<td>1966<\/td>\r\n<\/tr>\r\n<tr>\r\n<td>26<\/td>\r\n<td>Un souvenir du congres<\/td>\r\n<td>1967<\/td>\r\n<\/tr>\r\n<tr>\r\n<td>27<\/td>\r\n<td>Nana Mouskouri \u00e0&#8217;lOlympia<\/td>\r\n<td>1967<\/td>\r\n<\/tr>\r\n<tr>\r\n<td>28<\/td>\r\n<td>Showboat<\/td>\r\n<td>1967<\/td>\r\n<\/tr>\r\n<tr>\r\n<td>29<\/td>\r\n<td>Chants de mon pays<\/td>\r\n<td>1967<\/td>\r\n<\/tr>\r\n<tr>\r\n<td>30<\/td>\r\n<td>Singt Ihre Grossen Erfolge<\/td>\r\n<td>1967<\/td>\r\n<\/tr>\r\n<tr>\r\n<td>31<\/td>\r\n<td>Le Jour o\u00f9 la Colombe<\/td>\r\n<td>1967<\/td>\r\n<\/tr>\r\n<tr>\r\n<td>32<\/td>\r\n<td>Nana<\/td>\r\n<td>1968<\/td>\r\n<\/tr>\r\n<tr>\r\n<td>33<\/td>\r\n<td>What now my love<\/td>\r\n<td>1968<\/td>\r\n<\/tr>\r\n<tr>\r\n<td>34<\/td>\r\n<td>Une soir\u00e9e avec Nana Mouskouri<\/td>\r\n<td>1969<\/td>\r\n<\/tr>\r\n<tr>\r\n<td>35<\/td>\r\n<td>Dans le soleil et dans le vent<\/td>\r\n<td>1969<\/td>\r\n<\/tr>\r\n<tr>\r\n<td>36<\/td>\r\n<td>Over and Over<\/td>\r\n<td>1969<\/td>\r\n<\/tr>\r\n<tr>\r\n<td>37<\/td>\r\n<td>The exquisite Nana Mouskouri<\/td>\r\n<td>1969<\/td>\r\n<\/tr>\r\n<tr>\r\n<td>38<\/td>\r\n<td>Mouskouri International<\/td>\r\n<td>1969<\/td>\r\n<\/tr>\r\n<tr>\r\n<td>39<\/td>\r\n<td>Grand Gala<\/td>\r\n<td>1969<\/td>\r\n<\/tr>\r\n<tr>\r\n<td>40<\/td>\r\n<td>Verzoekprogramma<\/td>\r\n<td>1969<\/td>\r\n<\/tr>\r\n<tr>\r\n<td>41<\/td>\r\n<td>Le Tournesol<\/td>\r\n<td>1970<\/td>\r\n<\/tr>\r\n<tr>\r\n<td>42<\/td>\r\n<td>Nana Recital 70<\/td>\r\n<td>1970<\/td>\r\n<\/tr>\r\n<tr>\r\n<td>43<\/td>\r\n<td>Sings Hadjidakis<\/td>\r\n<td>1970<\/td>\r\n<\/tr>\r\n<tr>\r\n<td>44<\/td>\r\n<td>Turn On the sun<\/td>\r\n<td>1970<\/td>\r\n<\/tr>\r\n<tr>\r\n<td>45<\/td>\r\n<td>Bridge Over troubled water<\/td>\r\n<td>1970<\/td>\r\n<\/tr>\r\n<tr>\r\n<td>46<\/td>\r\n<td>My favorite Greek songs<\/td>\r\n<td>1970<\/td>\r\n<\/tr>\r\n<tr>\r\n<td>47<\/td>\r\n<td>After Midnight<\/td>\r\n<td>1971<\/td>\r\n<\/tr>\r\n<tr>\r\n<td>48<\/td>\r\n<td>A Touch of French<\/td>\r\n<td>1971<\/td>\r\n<\/tr>\r\n<tr>\r\n<td>49<\/td>\r\n<td>Love story<\/td>\r\n<td>1971<\/td>\r\n<\/tr>\r\n<tr>\r\n<td>50<\/td>\r\n<td>Pour les enfants<\/td>\r\n<td>1971<\/td>\r\n<\/tr>\r\n<tr>\r\n<td>51<\/td>\r\n<td>Comme un soleil<\/td>\r\n<td>1971<\/td>\r\n<\/tr>\r\n<tr>\r\n<td>52<\/td>\r\n<td>A place in my heart<\/td>\r\n<td>1971<\/td>\r\n<\/tr>\r\n<tr>\r\n<td>53<\/td>\r\n<td>Chante la Gr\u00e8ce<\/td>\r\n<td>1972<\/td>\r\n<\/tr>\r\n<tr>\r\n<td>54<\/td>\r\n<td>Lieder meiner Heimat<\/td>\r\n<td>1972<\/td>\r\n<\/tr>\r\n<tr>\r\n<td>55<\/td>\r\n<td>Xypna Agapi mou<\/td>\r\n<td>1972<\/td>\r\n<\/tr>\r\n<tr>\r\n<td>56<\/td>\r\n<td>Christmas with Nana Mouskouri<\/td>\r\n<td>1972<\/td>\r\n<\/tr>\r\n<tr>\r\n<td>57<\/td>\r\n<td>British concert<\/td>\r\n<td>1972<\/td>\r\n<\/tr>\r\n<tr>\r\n<td>58<\/td>\r\n<td>Une voix&#8230; qui vivent du coeur<\/td>\r\n<td>1972<\/td>\r\n<\/tr>\r\n<tr>\r\n<td>59<\/td>\r\n<td>Spiti mou spitaki mou<\/td>\r\n<td>1972<\/td>\r\n<\/tr>\r\n<tr>\r\n<td>60<\/td>\r\n<td>Presenting&#8230;Songs from her TV series<\/td>\r\n<td>1973<\/td>\r\n<\/tr>\r\n<tr>\r\n<td>61<\/td>\r\n<td>Vieilles Chansons de France<\/td>\r\n<td>1973<\/td>\r\n<\/tr>\r\n<tr>\r\n<td>62<\/td>\r\n<td>Chante No\u00ebl<\/td>\r\n<td>1973<\/td>\r\n<\/tr>\r\n<tr>\r\n<td>63<\/td>\r\n<td>Day is Done<\/td>\r\n<td>1973<\/td>\r\n<\/tr>\r\n<tr>\r\n<td>64<\/td>\r\n<td>An American album<\/td>\r\n<td>1973<\/td>\r\n<\/tr>\r\n<tr>\r\n<td>65<\/td>\r\n<td>Nana Mouskouri au th\u00e9atre des champs-Elys\u00e9es<\/td>\r\n<td>1974<\/td>\r\n<\/tr>\r\n<tr>\r\n<td>66<\/td>\r\n<td>Que je sois un ange<\/td>\r\n<td>1974<\/td>\r\n<\/tr>\r\n<tr>\r\n<td>67<\/td>\r\n<td>Nana&#8217;s Book of Songs<\/td>\r\n<td>1974<\/td>\r\n<\/tr>\r\n<tr>\r\n<td>68<\/td>\r\n<td>The most beautiful songs<\/td>\r\n<td>1974<\/td>\r\n<\/tr>\r\n<tr>\r\n<td>69<\/td>\r\n<td>Adieu mes amis<\/td>\r\n<td>1974<\/td>\r\n<\/tr>\r\n<tr>\r\n<td>70<\/td>\r\n<td>Le temps des cerises<\/td>\r\n<td>1974<\/td>\r\n<\/tr>\r\n<tr>\r\n<td>71<\/td>\r\n<td>If You Love me<\/td>\r\n<td>1974<\/td>\r\n<\/tr>\r\n<tr>\r\n<td>72<\/td>\r\n<td>The magic of Nana Mouskouri<\/td>\r\n<td>1974<\/td>\r\n<\/tr>\r\n<tr>\r\n<td>73<\/td>\r\n<td>Sieben Schwarze Rosen<\/td>\r\n<td>1975<\/td>\r\n<\/tr>\r\n<tr>\r\n<td>74<\/td>\r\n<td>Toi qui t&#8217;en vas<\/td>\r\n<td>1975<\/td>\r\n<\/tr>\r\n<tr>\r\n<td>75<\/td>\r\n<td>Tr\u00e4ume sind Sterne<\/td>\r\n<td>1975<\/td>\r\n<\/tr>\r\n<tr>\r\n<td>76<\/td>\r\n<td>At The Albert Hall<\/td>\r\n<td>1975<\/td>\r\n<\/tr>\r\n<tr>\r\n<td>77<\/td>\r\n<td>Quand tu chantes<\/td>\r\n<td>1976<\/td>\r\n<\/tr>\r\n<tr>\r\n<td>78<\/td>\r\n<td>Die Welt ist voll Licht<\/td>\r\n<td>1976<\/td>\r\n<\/tr>\r\n<tr>\r\n<td>79<\/td>\r\n<td>Lieder die mann nie vergisst<\/td>\r\n<td>1976<\/td>\r\n<\/tr>\r\n<tr>\r\n<td>80<\/td>\r\n<td>Nana in Holland<\/td>\r\n<td>1976<\/td>\r\n<\/tr>\r\n<tr>\r\n<td>81<\/td>\r\n<td>Songs of the British isles<\/td>\r\n<td>1976<\/td>\r\n<\/tr>\r\n<tr>\r\n<td>82<\/td>\r\n<td>Love goes on<\/td>\r\n<td>1976<\/td>\r\n<\/tr>\r\n<tr>\r\n<td>83<\/td>\r\n<td>Quand Tu Chantes<\/td>\r\n<td>1976<\/td>\r\n<\/tr>\r\n<tr>\r\n<td>84<\/td>\r\n<td>An Evening with Nana Mouskouri<\/td>\r\n<td>1976<\/td>\r\n<\/tr>\r\n<tr>\r\n<td>85<\/td>\r\n<td>Ein Portrait<\/td>\r\n<td>1976<\/td>\r\n<\/tr>\r\n<tr>\r\n<td>86<\/td>\r\n<td>La r\u00e9cr\u00e9ation<\/td>\r\n<td>1976<\/td>\r\n<\/tr>\r\n<tr>\r\n<td>87<\/td>\r\n<td>Passport<\/td>\r\n<td>1976<\/td>\r\n<\/tr>\r\n<tr>\r\n<td>88<\/td>\r\n<td>Une voix<\/td>\r\n<td>1976<\/td>\r\n<\/tr>\r\n<tr>\r\n<td>89<\/td>\r\n<td>Alleluia<\/td>\r\n<td>1977<\/td>\r\n<\/tr>\r\n<tr>\r\n<td>90<\/td>\r\n<td>Gl\u00fcck ist wie ein Schmetterling<\/td>\r\n<td>1977<\/td>\r\n<\/tr>\r\n<tr>\r\n<td>91<\/td>\r\n<td>Star f\u00fcr Millionen<\/td>\r\n<td>1977<\/td>\r\n<\/tr>\r\n<tr>\r\n<td>92<\/td>\r\n<td>Geliebt und bewundert<\/td>\r\n<td>1977<\/td>\r\n<\/tr>\r\n<tr>\r\n<td>93<\/td>\r\n<td>Lieder, die die Liebe schreibt<\/td>\r\n<td>1978<\/td>\r\n<\/tr>\r\n<tr>\r\n<td>94<\/td>\r\n<td>Nouvelles chansons de la Vieille France<\/td>\r\n<td>1978<\/td>\r\n<\/tr>\r\n<tr>\r\n<td>95<\/td>\r\n<td>Gospel<\/td>\r\n<td>1990<\/td>\r\n<\/tr>\r\n<tr>\r\n<td>96<\/td>\r\n<td>Only Love: The Best of Nana Mouskouri<\/td>\r\n<td>1991<\/td>\r\n<\/tr>\r\n<tr>\r\n<td>97<\/td>\r\n<td>Nuestras canciones 1&amp;2<\/td>\r\n<td>1991<\/td>\r\n<\/tr>\r\n<tr>\r\n<td>98<\/td>\r\n<td>Am Ziel meiner Reise<\/td>\r\n<td>1991<\/td>\r\n<\/tr>\r\n<tr>\r\n<td>99<\/td>\r\n<td>C\u00f4t\u00e9 Sud &#8211; C\u00f4t\u00e9 C\u0153ur<\/td>\r\n<td>1992<\/td>\r\n<\/tr>\r\n<tr>\r\n<td>100<\/td>\r\n<td>Hollywood<\/td>\r\n<td>1993<\/td>\r\n<\/tr>\r\n<tr>\r\n<td>101<\/td>\r\n<td>Falling in Love again<\/td>\r\n<td>1993<\/td>\r\n<\/tr>\r\n<tr>\r\n<td>102<\/td>\r\n<td>Dix mille ans encore<\/td>\r\n<td>1994<\/td>\r\n<\/tr>\r\n<tr>\r\n<td>103<\/td>\r\n<td>Agapi in&#8217;i zoi<\/td>\r\n<td>1994<\/td>\r\n<\/tr>\r\n<tr>\r\n<td>104<\/td>\r\n<td>Nur ein Lied<\/td>\r\n<td>1995<\/td>\r\n<\/tr>\r\n<tr>\r\n<td>105<\/td>\r\n<td>Nana Latina<\/td>\r\n<td>1996<\/td>\r\n<\/tr>\r\n<tr>\r\n<td>\u00a0<\/td>\r\n<td>\u00a0<\/td>\r\n<td>\u00a0<\/td>\r\n<\/tr>\r\n<\/tbody>\r\n<\/table>\r\n<p>&nbsp;<\/p>\r\n<\/div>\r\n<p><iframe loading=\"lazy\" title=\"NANA MOUSKOURI\" width=\"618\" height=\"464\" 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