{"id":29177,"date":"2022-08-29T08:39:37","date_gmt":"2022-08-29T14:39:37","guid":{"rendered":"https:\/\/mickyandoniehn.com\/radio\/?page_id=29177"},"modified":"2022-09-01T10:03:33","modified_gmt":"2022-09-01T16:03:33","slug":"frank-sinatra","status":"publish","type":"page","link":"http:\/\/mickyandoniehn.com\/radio\/frank-sinatra\/","title":{"rendered":"Frank Sinatra"},"content":{"rendered":"

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Fecha de Nacimiento: <\/strong>12 de diciembre de 1915<\/p>\n

Fecha de Fallecimiento:<\/strong> 14 de mayo de 1998<\/p>\n

Biograf\u00eda<\/strong><\/p>\n

Fue un cantante y actor estadounidense, considerado una de las figuras m\u00e1s importantes del siglo XX y uno de los cantantes m\u00e1s populares de todos los tiempos, dej\u00f3 a trav\u00e9s de sus discos y actuaciones en directo, un legado can\u00f3nico en lo que respecta a la interpretaci\u00f3n vocal masculina de la m\u00fasica. Su popularidad lleg\u00f3 a ser inmensa en todo el mundo y pr\u00e1cticamente constante a lo largo de toda su carrera, sus grabaciones alcanzaron las listas musicales 209 veces.<\/p>\n

Su principal y mayor inspiraci\u00f3n fue Bing Crosby , Sinatra se declar\u00f3 en muchas ocasiones gran fan de Crosby declarando en muchas entrevistas respecto a Crosby.<\/p>\n

Su repertorio se bas\u00f3 en la obra de los m\u00e1s importantes compositores populares estadounidenses, como Jimmy Van Heusen, Cole Porter, Sammy Cahn o George Gershwin, y su estilo sintetiz\u00f3, ya en sus or\u00edgenes, quince a\u00f1os de influencias mutuas entre la m\u00fasica de inspiraci\u00f3n jazz\u00edstica y la m\u00fasica pop que empezaba a difundirse a trav\u00e9s de la radio. Sinatra construy\u00f3 su estilo sobre la base de una comprensi\u00f3n natural de la m\u00fasica popular, tal como la hab\u00edan entendido Bing Crosby, Fred Astaire, Benny Goodman y Louis Armstrong, explotando la idea de que esta, en todas sus vertientes, deber\u00eda ser una extensi\u00f3n de la conversaci\u00f3n.<\/p>\n

T\u00e9cnicamente, se caracteriz\u00f3 por su cuidada precisi\u00f3n en el fraseo y su dominio del control de la respiraci\u00f3n; el rango de su voz estaba pr\u00f3ximo al de bajo-bar\u00edtono.\u200b Adem\u00e1s, era o\u00eddo absoluto, al igual que Michael Jackson, Freddie Mercury, y Wolfgang Amadeus Mozart.\u200b En cuanto a su categor\u00eda art\u00edstica, esta radica en su capacidad interpretativa para transmitir las emociones y sentimientos impl\u00edcitos en las letras de las canciones.<\/p>\n

Date of Birth<\/strong> December 12, 1915<\/p>\n

Date of Death<\/strong> May 14, 1998<\/p>\n

Biography<\/strong><\/p>\n

He was an American singer and actor, considered one of the most important figures of the 20th century and one of the most popular singers of all time, he left through his records and live performances, a canonical legacy in regards to the male vocal interpretation of music. His popularity became immense worldwide and virtually constant throughout his career, his recordings reached the music charts 209 times.<\/p>\n

His main and greatest inspiration was Bing Crosby, Sinatra declared himself on many occasions a great fan of Crosby declaring in many interviews regarding Crosby.<\/p>\n

His repertoire was based on the work of the most important American popular composers, such as Jimmy Van Heusen, Cole Porter, Sammy Cahn or George Gershwin, and his style synthesized, from its origins, fifteen years of mutual influences between jazz-inspired music and the pop music that was beginning to spread through the radio. Sinatra built his style on the basis of a natural understanding of popular music, as Bing Crosby, Fred Astaire, Benny Goodman and Louis Armstrong had understood it, exploiting the idea that this, in all its aspects, should be an extension of the conversation.<\/p>\n

Technically, he was characterized by his careful precision in phrasing and his mastery of breath control; the range of his voice was close to the bass-baritone. In addition, he was an absolute pitch, like Michael Jackson, Freddie Mercury, and Wolfgang Amadeus Mozart. As for his artistic category, this lies in his interpretive ability to transmit the emotions and feelings implicit in the lyrics of the songs.<\/p>\n

Discograf\u00eda<\/strong><\/p>\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n
G\u00e9nero Pop, Jazz Tradicional<\/strong><\/td>\nEscuchar Tema<\/strong><\/td>\nA\u00f1o de Publicaci\u00f3n<\/strong><\/td>\n<\/tr>\n
<\/td>\n<\/td>\n<\/td>\n<\/tr>\n
1<\/td>\nFrom the Bottom of My Heart (Brunswick label)<\/td>\n1939<\/td>\n<\/tr>\n
2<\/td>\nIt’s Funny to Everyone but Me<\/td>\n1939<\/td>\n<\/tr>\n
3<\/td>\nHere Comes the Night<\/td>\n1939<\/td>\n<\/tr>\n
4<\/td>\nMy Buddy<\/td>\n1939<\/td>\n<\/tr>\n
5<\/td>\nOn a Little Street in Singapore<\/td>\n1939<\/td>\n<\/tr>\n
6<\/td>\nCiribiribin<\/td>\n1939<\/td>\n<\/tr>\n
7<\/td>\nEvery Day of My Life<\/td>\n1940<\/td>\n<\/tr>\n
8<\/td>\nAll or Nothing at All (re-issued 1943)<\/td>\n1940<\/td>\n<\/tr>\n
9<\/td>\nThe Sky Fell Down<\/td>\n1940<\/td>\n<\/tr>\n
10<\/td>\nToo Romantic<\/td>\n1940<\/td>\n<\/tr>\n
11<\/td>\nI’ll Be Seeing You<\/td>\n1940<\/td>\n<\/tr>\n
12<\/td>\nThe Fable of the Rose<\/td>\n1940<\/td>\n<\/tr>\n
13<\/td>\nThis is the Beginning of the End<\/td>\n1940<\/td>\n<\/tr>\n
14<\/td>\nImagination<\/td>\n1940<\/td>\n<\/tr>\n
15<\/td>\nYours Is My Heart Alone<\/td>\n1940<\/td>\n<\/tr>\n
16<\/td>\nDevil May Care<\/td>\n1940<\/td>\n<\/tr>\n
17<\/td>\nFools Rush In<\/td>\n1940<\/td>\n<\/tr>\n
18<\/td>\nHear my song, Violetta<\/td>\n1940<\/td>\n<\/tr>\n
19<\/td>\nEast of the Sun<\/td>\n1940<\/td>\n<\/tr>\n
<\/td>\n<\/td>\n<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n

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