{"id":28757,"date":"2022-08-26T11:54:41","date_gmt":"2022-08-26T17:54:41","guid":{"rendered":"https:\/\/mickyandoniehn.com\/radio\/?page_id=28757"},"modified":"2022-09-01T12:14:49","modified_gmt":"2022-09-01T18:14:49","slug":"tim-maia","status":"publish","type":"page","link":"http:\/\/mickyandoniehn.com\/radio\/tim-maia\/","title":{"rendered":"Tim Maia"},"content":{"rendered":"

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Fecha de Nacimiento:<\/strong> R\u00edo de Janeiro, 28 de septiembre de 1942<\/div>\n

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Fecha de Fallecimiento:<\/strong> Niter\u00f3i, 15 de marzo de 1998<\/div>\n

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Biograf\u00eda:<\/strong><\/div>\n

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Tim Maia es uno de los m\u00e1s grandes artistas que ha dado Brasil en los \u00faltimos cincuenta a\u00f1os. Ya fallecido, a mediados de los noventa, Maia es considerado el padre del soul y el funk brasile\u00f1o, dos estilos con gran pegada en aquel pa\u00eds durante los a\u00f1os 60, 70 y 80, similar a la que hoy tiene el hip hop.<\/div>\n

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La carrera de Maia comienza en los primeros 60 al lado de los compa\u00f1eros Roberto y Erasmo Carlos, con los que conforma la conocida como ‘jovem guarda’, un movimiento innovador y globalizador de la m\u00fasica que romp\u00eda con el pasado, m\u00e1s inspirado en la canci\u00f3n cl\u00e1sica y el jazz. La ‘jovem guarda’ introdujo el rock, el soul y los ritmos africanos en la m\u00fasica popular brasile\u00f1a.<\/div>\n

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Maia viaj\u00f3 joven a Estados Unidos, donde enseguida empatiz\u00f3 con el movimiento de liberaci\u00f3n negro, la m\u00fasica soul y las drogas, en especial la coca\u00edna, a la que desde entonces fue adicto.<\/div>\n

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Regres\u00f3 a Brasil con un amplio repertorio de ritmos sensuales, canciones insinuantes, e incluso salaces, y una gran carga de conciencia de raza. Con estos elementos, m\u00e1s un exacerbado romanticismo, confeccion\u00f3 su estilo, que siempre camin\u00f3 entre una gran aceptaci\u00f3n popular y la censura de los gobiernos militares.<\/div>\n

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Wikipedia in English<\/strong><\/div>\n

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Date of Birth:<\/strong> R\u00edo de Janeiro, September 28, 1942<\/div>\n

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Date of Death:<\/strong> Niter\u00f3i, March 15, 1998<\/div>\n

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Biography:<\/strong><\/div>\n

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Tim Maia is one of the greatest artists that Brazil has produced in the last fifty years. Already deceased, in the mid-nineties, Maia is considered the father of soul and Brazilian funk, two styles with great punch in that country during the 60s, 70s and 80s, similar to what hip hop has today.<\/div>\n

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Maia’s career began in the early 60s with her colleagues Roberto and Erasmo Carlos, with whom she made up the so-called ‘jovem guarda’, an innovative and globalizing music movement that broke with the past, more inspired by the song. classical and jazz. The ‘jovem guarda’ introduced rock, soul and African rhythms into Brazilian popular music.<\/div>\n

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Maia traveled young to the United States, where he immediately empathized with the black liberation movement, soul music and drugs, especially cocaine, to which he was addicted ever since.<\/div>\n

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He returned to Brazil with a wide repertoire of sensual rhythms, suggestive songs, and even salacious, and a great load of race consciousness. With these elements, plus an exacerbated romanticism, he made his style, which always walked between a great popular acceptance and the censorship of the military governments.<\/div>\n

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Discography<\/strong><\/div>\n

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\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n
Temas\u00a0 bossa nova y al jazz<\/strong><\/td>\nEscuchar tema<\/strong><\/td>\nA\u00f1o de Publicacion<\/strong><\/td>\n<\/tr>\n
1<\/td>\nAzul Da Cor Do Mar<\/td>\n1970<\/td>\n<\/tr>\n
2<\/td>\nDescobridor Dos Sete Mares<\/td>\n1983<\/td>\n<\/tr>\n
3<\/td>\nQue Beleza<\/td>\n1975<\/td>\n<\/tr>\n
4<\/td>\nR\u00e9u Confesso<\/td>\n1973<\/td>\n<\/tr>\n
5<\/td>\nVoc\u00ea<\/td>\n1971<\/td>\n<\/tr>\n
6<\/td>\nN\u00e3o Quero Dinheiro (S\u00f3 Quero Amar)<\/td>\n1971<\/td>\n<\/tr>\n
7<\/td>\nCaminho Do Bem<\/td>\n<\/td>\n<\/tr>\n
8<\/td>\nMe D\u00ea Motivo<\/td>\n1983<\/td>\n<\/tr>\n
9<\/td>\nBom Senso<\/td>\n1975<\/td>\n<\/tr>\n
10<\/td>\nSossego<\/td>\n1991<\/td>\n<\/tr>\n
11<\/td>\nDo Leme Ao Pontal<\/td>\n1986<\/td>\n<\/tr>\n
12<\/td>\nEla Partiu<\/td>\n1976<\/td>\n<\/tr>\n
15<\/td>\nWhere Is My Other Half<\/td>\n1972<\/td>\n<\/tr>\n
16<\/td>\nNobody Can Live Forever<\/td>\n1976<\/td>\n<\/tr>\n
17<\/td>\nQue Me Importa<\/td>\n1972<\/td>\n<\/tr>\n
<\/td>\n<\/td>\n<\/td>\n<\/tr>\n
<\/td>\nTim Maia Racional, Vol. 1<\/strong><\/td>\n1975<\/strong><\/td>\n<\/tr>\n
1<\/td>\nImuniza\u00e7\u00e3o Racional<\/td>\n<\/td>\n<\/tr>\n
2<\/td>\nO gr\u00e3o mestre varonil<\/td>\n<\/td>\n<\/tr>\n
3<\/td>\nBom Senso<\/td>\n<\/td>\n<\/tr>\n
4<\/td>\nEnerg\u00eda Racional<\/td>\n<\/td>\n<\/tr>\n
5<\/td>\nLeia o livro Universo em desencanto<\/td>\n<\/td>\n<\/tr>\n
6<\/td>\nContato com o mundo racional<\/td>\n<\/td>\n<\/tr>\n
7<\/td>\nUniverso em Desencanto<\/td>\n<\/td>\n<\/tr>\n
8<\/td>\nYou Don’t Know What I Know<\/td>\n<\/td>\n<\/tr>\n
9<\/td>\nRational culture<\/td>\n<\/td>\n<\/tr>\n
10<\/td>\nEla Partiu<\/td>\n<\/td>\n<\/tr>\n
11<\/td>\nMeus Inimigos<\/td>\n<\/td>\n<\/tr>\n
<\/td>\n<\/td>\n<\/td>\n<\/tr>\n
<\/td>\nTim Maia in Concert<\/strong><\/td>\n2007<\/strong><\/td>\n<\/tr>\n
1<\/td>\nA festa do Santo Reis<\/td>\n<\/td>\n<\/tr>\n
2<\/td>\nSossego<\/td>\n<\/td>\n<\/tr>\n
3<\/td>\nGostava tanto de voc\u00ea<\/td>\n<\/td>\n<\/tr>\n
4<\/td>\nPrimavera (Vai chuva)<\/td>\n<\/td>\n<\/tr>\n
5<\/td>\nBaby<\/td>\n<\/td>\n<\/tr>\n
6<\/td>\nTelefone<\/td>\n<\/td>\n<\/tr>\n
7<\/td>\nDo Leme ao Pontal<\/td>\n<\/td>\n<\/tr>\n
8<\/td>\nO descobridor dos sete mares<\/td>\n<\/td>\n<\/tr>\n
9<\/td>\nVoc\u00ea e eu, eu e voc\u00ea<\/td>\n<\/td>\n<\/tr>\n
10<\/td>\nMe d\u00ea motivo<\/td>\n<\/td>\n<\/tr>\n
11<\/td>\nVoc\u00ea<\/td>\n<\/td>\n<\/tr>\n
12<\/td>\nUm dia de domingo<\/td>\n<\/td>\n<\/tr>\n
13<\/td>\nVale tudo<\/td>\n<\/td>\n<\/tr>\n
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<\/td>\nReencontr\u00f3<\/strong><\/td>\n1979<\/strong><\/td>\n<\/tr>\n
1<\/td>\nAt\u00e9 Parece Que Foi Sonho<\/td>\n<\/td>\n<\/tr>\n
2<\/td>\nCan\u00e7\u00e3o Para Cristina<\/td>\n<\/td>\n<\/tr>\n
3<\/td>\nReencontr\u00f3<\/td>\n<\/td>\n<\/tr>\n
4<\/td>\nPar\u00e1 Isso<\/td>\n<\/td>\n<\/tr>\n
5<\/td>\nChegou A Hora<\/td>\n<\/td>\n<\/tr>\n
6<\/td>\nVelho Camarada<\/td>\n<\/td>\n<\/tr>\n
7<\/td>\nEu S\u00f3 Quero Ver<\/td>\n<\/td>\n<\/tr>\n
8<\/td>\nFrente A Frente<\/td>\n<\/td>\n<\/tr>\n
9<\/td>\nVou Com G\u00e1s<\/td>\n<\/td>\n<\/tr>\n
10<\/td>\nFoi Para Seu Bem<\/td>\n<\/td>\n<\/tr>\n
11<\/td>\nVou Correndo Te Buscar<\/td>\n<\/td>\n<\/tr>\n
12<\/td>\nBoogie Esperto<\/td>\n<\/td>\n<\/tr>\n
13<\/td>\nL\u00e1bios De M\u00e9l<\/td>\n<\/td>\n<\/tr>\n
14<\/td>\nPara Voc\u00ea Volta<\/td>\n<\/td>\n<\/tr>\n
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<\/td>\nDisco Club<\/strong><\/td>\n1978<\/strong><\/td>\n<\/tr>\n
1<\/td>\nA fim de voltar<\/td>\n<\/td>\n<\/tr>\n
2<\/td>\nAcenda o farol<\/td>\n<\/td>\n<\/tr>\n
3<\/td>\nSossego<\/td>\n<\/td>\n<\/tr>\n
4<\/td>\nVit\u00f3ria r\u00e9gia – Estou contigo e n\u00e3o abro (Instrumental)<\/td>\n<\/tr>\n
5<\/td>\nAll I Want<\/td>\n<\/td>\n<\/tr>\n
6<\/td>\nMurm\u00fario<\/td>\n<\/td>\n<\/tr>\n
7<\/td>\nPais e filhos<\/td>\n<\/td>\n<\/tr>\n
8<\/td>\nSe eu lembro faz doer<\/td>\n<\/td>\n<\/tr>\n
9<\/td>\nJuras<\/td>\n<\/td>\n<\/tr>\n
10<\/td>\nJhony<\/td>\n<\/td>\n<\/tr>\n
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<\/td>\nTim Maia<\/strong><\/td>\n1980<\/strong><\/td>\n<\/tr>\n
1<\/td>\nVoc\u00ea e eu, eu e voc\u00ea (juntinhos)<\/td>\n<\/td>\n<\/tr>\n
2<\/td>\nN\u00e3o v\u00e1<\/td>\n<\/td>\n<\/tr>\n
3<\/td>\nTudo vai mudar<\/td>\n<\/td>\n<\/tr>\n
4<\/td>\nNissei linda, linda nissei<\/td>\n<\/td>\n<\/tr>\n
5<\/td>\nNossa hist\u00f3ria de Amor<\/td>\n<\/td>\n<\/tr>\n
6<\/td>\nNosso adeus<\/td>\n<\/td>\n<\/tr>\n
7<\/td>\nN\u00e3o fique triste<\/td>\n<\/td>\n<\/tr>\n
8<\/td>\nEst\u00e1 dif\u00edcil de esquecer<\/td>\n<\/td>\n<\/tr>\n
9<\/td>\nMeu samba<\/td>\n<\/td>\n<\/tr>\n
10<\/td>\nDoeu mais que doer<\/td>\n<\/td>\n<\/tr>\n
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<\/td>\nNuvens<\/strong><\/td>\n1982<\/strong><\/td>\n<\/tr>\n
1<\/td>\nNuvens<\/td>\n<\/td>\n<\/tr>\n
2<\/td>\nOutra mulher<\/td>\n<\/td>\n<\/tr>\n
3<\/td>\nAr puro<\/td>\n<\/td>\n<\/tr>\n
4<\/td>\nO trem, Part 1<\/td>\n<\/td>\n<\/tr>\n
5<\/td>\nA festa<\/td>\n<\/td>\n<\/tr>\n
6<\/td>\nApesar dos poucos anos<\/td>\n<\/td>\n<\/tr>\n
7<\/td>\nDeixar as coisas tristes para depois<\/td>\n<\/td>\n<\/tr>\n
8<\/td>\nNingu\u00e9m gosta de se sentir s\u00f3<\/td>\n<\/td>\n<\/tr>\n
9<\/td>\nHadock Lobo esquina com Matoso<\/td>\n<\/td>\n<\/tr>\n
10<\/td>\nO trem, Part 2<\/td>\n<\/td>\n<\/tr>\n
11<\/td>\nNa rua, na chuva, na fazenda<\/td>\n<\/td>\n<\/tr>\n
12<\/td>\nSol brilhante<\/td>\n<\/td>\n<\/tr>\n
<\/td>\n<\/td>\n<\/td>\n<\/tr>\n
<\/td>\nTim Maia Racional, Vol. 2 Canciones<\/strong><\/td>\n1976<\/strong><\/td>\n<\/tr>\n
1<\/td>\nQuer queira, quer n\u00e3o queira<\/td>\n<\/td>\n<\/tr>\n
2<\/td>\nPaz Interior<\/td>\n<\/td>\n<\/tr>\n
3<\/td>\nO Caminho do Bem<\/td>\n<\/td>\n<\/tr>\n
4<\/td>\nEnerg\u00eda Racional<\/td>\n<\/td>\n<\/tr>\n
5<\/td>\nQue Legal<\/td>\n<\/td>\n<\/tr>\n
6<\/td>\nCultura Racional<\/td>\n<\/td>\n<\/tr>\n
7<\/td>\nO Dever de Fazer Propaganda Deste Conhecimento<\/td>\n<\/tr>\n
8<\/td>\nGuin\u00e9 Bissau, Mo\u00e7ambique e Angola Racional<\/td>\n<\/tr>\n
9<\/td>\nImuniza\u00e7\u00e3o Racional (Que beleza)<\/td>\n<\/td>\n<\/tr>\n
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Cr\u00e9ditos: Tomado de Wikipedia<\/div>\n
https:\/\/es.wikipedia.org\/wiki\/Tim_Maia<\/a><\/div>\n<\/div>\n
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