{"id":28749,"date":"2022-08-26T11:52:17","date_gmt":"2022-08-26T17:52:17","guid":{"rendered":"https:\/\/mickyandoniehn.com\/radio\/?page_id=28749"},"modified":"2022-09-01T11:12:16","modified_gmt":"2022-09-01T17:12:16","slug":"lisandro-meza","status":"publish","type":"page","link":"http:\/\/mickyandoniehn.com\/radio\/lisandro-meza\/","title":{"rendered":"Lisandro Meza"},"content":{"rendered":"

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Fecha de Nacimiento:<\/strong> 26 de septiembre de 1937<\/div>\n

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Biograf\u00eda<\/strong><\/div>\n

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Lisandro Meza M\u00e1rquez (Los Palmitos, Sucre, 26 de septiembre de 1939) es un cantante, compositor y m\u00fasico colombiano, conocido con el apodo de El macho de Am\u00e9rica. En sus m\u00e1s de 50 a\u00f1os de carrera musical ha grabado alrededor de 110 discos en diferentes ritmos: cumbia colombiana, porro, paseo y vallenato.<\/div>\n
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Desde 1954 empez\u00f3 a cantar en la finca de su padre La Armenia, demostrando adem\u00e1s su facilidad para interpretar varios instrumentos como el acorde\u00f3n, el piano, la guitarra, el bajo, el tiple, el cuatro, la tumbadora, caja y la gaita. Aprovechaba las ausencias del capataz de la finca para utilizar su acorde\u00f3n. En una fiesta organizada por su padre para los trabajadores, Lisandro fue el centro de la fiesta tocando canciones populares como La hija de Amaranto, Cumbia cienaguera y El Alto del Rosario.<\/div>\n

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Este hecho marc\u00f3 el comienzo en firme de su carrera como acordeonero y cantante.3En el a\u00f1o 1959 compuso el paseo El Saludo, canci\u00f3n que lo hizo muy popular.<\/div>\n

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Posterior a este le siguieron otros \u00e9xitos como La gorra no se me cae (1963), La miseria humana (1976), Entre Rejas (1977), El guayabo de la ye (1978), Baracunatana (1981) y Est\u00e1s pillao (1982), entre otras canciones que en su mayor\u00eda se convirtieron en parte del folclor colombiano y son comunes en el conjunto musical Los Corraleros de Majagual desde 1961, con quienes particip\u00f3 en canciones como Su\u00e9ltala pa que se defienda, Hace un mes, La flaca de Vitola, entre otras.<\/div>\n

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Sin embargo, en 1965 formaliz\u00f3 su propio conjunto para amenizar bailes y fiestas tradicionales. Sin embargo continu\u00f3 integrando el grupo de Los Corraleros bajo la direcci\u00f3n de Manuel Cervantes y como acordeonista titular.<\/div>\n

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Wikipedia in English<\/strong><\/div>\n

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Date of Birth:<\/strong> September 26, 1937<\/div>\n

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Biography<\/strong><\/div>\n

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Lisandro Meza M\u00e1rquez (Los Palmitos, Sucre, September 26, 1939) is a Colombian singer, composer and musician, known by the nickname of El macho de Am\u00e9rica. In his more than 50 years of musical career he has recorded around 110 albums in different rhythms: Colombian cumbia, porro, paseo and vallenato.<\/div>\n

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From 1954 he began to sing on the farm of his father La Armenia, also demonstrating his ability to interpret various instruments such as the accordion, piano, guitar, bass, tiple, cuatro, tumbadora, box and bagpipes. He took advantage of the farm foreman’s absences to use his accordion. At a party organized by his father for the workers, Lisandro was the center of the party playing popular songs such as La hija de Amaranto, Cumbia cienaguera and El Alto del Rosario.<\/div>\n

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This fact marked the firm beginning of his career as an accordion player and singer.3 In 1959 he composed the Paseo El Saludo, a song that made him very popular.<\/div>\n

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This was followed by other successes such as La gorra no se came (1963), La miseria humana (1976), Entre Rejas (1977), El guayabo de la ye (1978), Baracunatana (1981) and You are pillao (1982) , among other songs that mostly became part of Colombian folklore and are common in the musical group Los Corraleros de Majagual since 1961, with whom he participated in songs such as Su\u00e9ltala pa que se defienta, A month ago, La flaca de Vitola, among other. However, in 1965 he formalized his own group to liven up traditional dances and festivals.<\/div>\n

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However, he continued to be part of the Los Corraleros group under the direction of Manuel Cervantes and as a titular accordionist.<\/div>\n

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Discography<\/strong><\/div>\n

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Temas Cumbia<\/strong><\/td>\nEscuchar tema<\/strong><\/td>\nA\u00f1o de Publicacion<\/strong><\/td>\n<\/tr>\n
<\/td>\nLizandro Meza<\/strong><\/td>\n1978<\/strong><\/td>\n<\/tr>\n
1<\/td>\nBonito Comp\u00e1s<\/td>\n<\/td>\n<\/tr>\n
2<\/td>\nVendo Un Amor<\/td>\n<\/td>\n<\/tr>\n
3<\/td>\nEscucha Este Ritmo<\/td>\n<\/td>\n<\/tr>\n
4<\/td>\nA Pesar De Ser Casado<\/td>\n<\/td>\n<\/tr>\n
5<\/td>\nLa Bronca<\/td>\n<\/td>\n<\/tr>\n
6<\/td>\nA Mi Pilon<\/td>\n<\/td>\n<\/tr>\n
7<\/td>\nLas Cosas De Mi Pueblo<\/td>\n<\/td>\n<\/tr>\n
8<\/td>\nVuelve Mi Amor<\/td>\n<\/td>\n<\/tr>\n
9<\/td>\nTengo Una Pena<\/td>\n<\/td>\n<\/tr>\n
10<\/td>\nPuerto Franco<\/td>\n<\/td>\n<\/tr>\n
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<\/td>\nBodas de Plata\u00a0<\/strong><\/td>\n1982<\/strong><\/td>\n<\/tr>\n
1<\/td>\nAlegr\u00eda Y Amor<\/td>\n<\/td>\n<\/tr>\n
2<\/td>\nMi Castigo<\/td>\n<\/td>\n<\/tr>\n
3<\/td>\nCreo En Dios<\/td>\n<\/td>\n<\/tr>\n
4<\/td>\nTodo O Nada<\/td>\n<\/td>\n<\/tr>\n
5<\/td>\nLindo Tolu<\/td>\n<\/td>\n<\/tr>\n
6<\/td>\nMe Voy Para La Luna<\/td>\n<\/td>\n<\/tr>\n
7<\/td>\nBarulo<\/td>\n<\/td>\n<\/tr>\n
8<\/td>\nMujer<\/td>\n<\/td>\n<\/tr>\n
9<\/td>\nTen Cuidao<\/td>\n<\/td>\n<\/tr>\n
10<\/td>\nPedazo de Pan<\/td>\n<\/td>\n<\/tr>\n
11<\/td>\nCocodrilo<\/td>\n<\/td>\n<\/tr>\n
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<\/td>\nSolo Cumbias\u00a0<\/strong><\/td>\n1983<\/strong><\/td>\n<\/tr>\n
1<\/td>\nCapullo De Rosa<\/td>\n<\/td>\n<\/tr>\n
2<\/td>\nMario De Los Reyes<\/td>\n<\/td>\n<\/tr>\n
3<\/td>\nLo Velan Con Mech\u00f3n<\/td>\n<\/td>\n<\/tr>\n
4<\/td>\nLa Cumbia De Joaco<\/td>\n<\/td>\n<\/tr>\n
5<\/td>\nLa Matica<\/td>\n<\/td>\n<\/tr>\n
7<\/td>\nCumbia Sanjacintera<\/td>\n<\/td>\n<\/tr>\n
8<\/td>\nLejan\u00eda<\/td>\n<\/td>\n<\/tr>\n
9<\/td>\nQue Quiere Esa Mejicana<\/td>\n<\/td>\n<\/tr>\n
10<\/td>\nLa Cachiporra<\/td>\n<\/td>\n<\/tr>\n
11<\/td>\nCompi Bello<\/td>\n<\/td>\n<\/tr>\n
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<\/td>\nGrandes Exitos de Lisandro Meza<\/strong><\/td>\n1984<\/strong><\/td>\n<\/tr>\n
1<\/td>\nLas Tapas<\/td>\n<\/td>\n<\/tr>\n
2<\/td>\nEntre Rejas<\/td>\n<\/td>\n<\/tr>\n
3<\/td>\nTe Llevare<\/td>\n<\/td>\n<\/tr>\n
4<\/td>\nLa Miseria Humana<\/td>\n<\/td>\n<\/tr>\n
5<\/td>\nEl Guayabo De La Ye<\/td>\n<\/td>\n<\/tr>\n
6<\/td>\nMilena<\/td>\n<\/td>\n<\/tr>\n
7<\/td>\nEl Guayac\u00e1n<\/td>\n<\/td>\n<\/tr>\n
8<\/td>\nEl Viejo Miguel<\/td>\n<\/td>\n<\/tr>\n
9<\/td>\nAcordeon Pitador<\/td>\n<\/td>\n<\/tr>\n
10<\/td>\nEl Burro Le\u00f1ero<\/td>\n<\/td>\n<\/tr>\n
11<\/td>\nEl Saludo<\/td>\n<\/td>\n<\/tr>\n
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<\/td>\nY de La Plata Que?<\/strong><\/td>\n1984<\/strong><\/td>\n<\/tr>\n
1<\/td>\nCumbia P\u2019a Oriente<\/td>\n<\/td>\n<\/tr>\n
2<\/td>\nEl Amor<\/td>\n<\/td>\n<\/tr>\n
3<\/td>\nLas Chiquiticas<\/td>\n<\/td>\n<\/tr>\n
4<\/td>\nLas Caras Lindas<\/td>\n<\/td>\n<\/tr>\n
5<\/td>\nTendr\u00e1s Que Mandarlo Hacer<\/td>\n<\/td>\n<\/tr>\n
6<\/td>\nLas Africanas<\/td>\n<\/td>\n<\/tr>\n
7<\/td>\nY De La Plata Que?<\/td>\n<\/td>\n<\/tr>\n
8<\/td>\nCabaretera<\/td>\n<\/td>\n<\/tr>\n
9<\/td>\nD\u00e9jame En Paz<\/td>\n<\/td>\n<\/tr>\n
10<\/td>\nCorazon Contento<\/td>\n<\/td>\n<\/tr>\n
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Cr\u00e9ditos tomados de Wikipedia:<\/div>\n
https:\/\/es.wikipedia.org\/wiki\/Lisandro_Meza<\/a><\/div>\n
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