{"id":28587,"date":"2022-08-26T10:40:35","date_gmt":"2022-08-26T16:40:35","guid":{"rendered":"https:\/\/mickyandoniehn.com\/radio\/?page_id=28587"},"modified":"2022-09-01T12:20:09","modified_gmt":"2022-09-01T18:20:09","slug":"walter-scharf","status":"publish","type":"page","link":"http:\/\/mickyandoniehn.com\/radio\/walter-scharf\/","title":{"rendered":"Walter Scharf"},"content":{"rendered":"

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Fecha de Nacimiento:<\/strong> 1 de agosto de 1910<\/div>\n

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Fecha de Fallecimiento:<\/strong> 24 de febrero de 2003<\/div>\n

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Biograf\u00eda:<\/strong><\/div>\n

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Nacido en Manhattan , era hijo de la comediante de teatro yiddish Bessie Zwerling . Mientras que en sus 20 a\u00f1os, fue uno de los orquestadores de George Gershwin ‘s Broadway musical Girl Crazy ,se convirti\u00f3 en la cantante Helen Morgan ‘ s acompa\u00f1ante, y m\u00e1s tarde trabaj\u00f3 como pianista y arreglista para el cantante Rudy Vallee .<\/div>\n

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Comenz\u00f3 a trabajar en Hollywood en 1933, haciendo arreglos para Al Jolson en Warner Bros. , Alice Faye en 20th Century-Fox y Bing Crosby en Paramount . Orquest\u00f3 la versi\u00f3n original de Irving Berlin ‘s White Christmas para la pel\u00edcula Holiday Inn (1942), y de 1942 a 1946 se desempe\u00f1\u00f3 como director de m\u00fasica para Fotos Rep\u00fablica.<\/div>\n<\/div>\n

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De 1948 a 1954, Scharf fue arreglista y directora del programa de radio Phil Harris- Alice Faye.<\/div>\n
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Un tiempo de diez Oscar nominado, Scharf trabaj\u00f3 en m\u00e1s de 100 pel\u00edculas, recibiendo nominaciones por su direcci\u00f3n musical en tales im\u00e1genes como Danny Kaye ‘s Christian Andersen, Hans (1952), Barbra Streisand ‘ s Funny Girl (1968) y Willy Wonka y la F\u00e1brica de chocolate (1971).<\/div>\n

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A principios de la d\u00e9cada de 1960, Harold Lloyd se acerc\u00f3 a \u00e9l para que proporcionara nuevas partituras para sus compilaciones de pel\u00edculas mudas. Lloyd consider\u00f3 la capacidad de Scharf para mezclar temas de comedia con toques orquestales grandes y dram\u00e1ticos como ideal para su tipo de comedia “emocionante”.<\/div>\n

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Scharf implement\u00f3 un estilo similar para la comedia inspirada en Jerry Lewis Jekyll y Hyde The Nutty Professor en (1963), trabajando en m\u00e1s de una docena de comedias de Lewis en total. Trabaj\u00f3 en tres pel\u00edculas de Elvis Presley, incluyendo Loving You (1957) y King Creole (1958), y con el letrista Don Black , escribi\u00f3 el exitoso sencillo de Michael Jackson de la pel\u00edcula Ben (1972), que le vali\u00f3 un Globo de Oro ; y anot\u00f3 la popular Walking Tall (1973) y sus dos secuelas. En 1973, \u00e9l y Don Black escribieron la m\u00fasica y la letra del musical de Londres. Quiz\u00e1s ese sea tu problema (libro de Lionel Chetwynd).<\/div>\n

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Scharf compuso m\u00fasica para docenas de dramas de televisi\u00f3n, incluidos Ben Casey , The Man from UNCLE , Mission: Impossible y la miniserie de 1979 From Here to Eternity y Blind Ambition , aunque se hizo mejor conocido por su m\u00fasica para la National Geographic Society y The Undersea World. de los documentales de Jacques Cousteau , que compuso entre 1965 y 1975. Recibi\u00f3 dos premios Emmy por la serie Cousteau, en 1970 y 1974, y compuso una obra sinf\u00f3nica original, The Legend of the Living Sea , para una exhibici\u00f3n en el museo Cousteau a bordo del RMS Queen Mary en 1971.<\/div>\n

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El trabajo inicial de Scharf para la sala de conciertos fue The Palestine Suite , escrito en 1945 y presentado en el Hollywood Bowl bajo la direcci\u00f3n de Leopold Stokowski . Despu\u00e9s de retirarse del cine y la televisi\u00f3n en la d\u00e9cada de 1980, volvi\u00f3 a escribir conciertos, en particular con The Tree Still Stands: A Symphonic Portrait of the Stages of a Hebraic Man , encargado por Stephen S. Wise Temple y estrenado en 1989, y la Suite Israel\u00ed de 1993 . Tambi\u00e9n escribi\u00f3 una \u00f3pera no producido sobre la base de Norman Corwin Es El plan para derrocar Navidad .<\/div>\n

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Scharf muri\u00f3 de insuficiencia card\u00edaca en su casa del barrio Brentwood de Los \u00c1ngeles, a la edad de 92 a\u00f1os.<\/div>\n

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Wikipedia in English<\/strong><\/div>\n

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Date of Birth:<\/strong> August 1, 1910<\/div>\n

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Date of Death:<\/strong> February 24, 2003<\/div>\n

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Biography:<\/strong><\/div>\n

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Born in Manhattan, he was the son of Yiddish stage comedian Bessie Zwerling. While in his early 20s, he was one of the orchestrators of George Gershwin’s Broadway musical Girl Crazy, he became singer Helen Morgan’s accompanist, and later worked as a pianist and arranger for singer Rudy Vallee.<\/div>\n

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He began working in Hollywood in 1933, arranging for Al Jolson at Warner Bros., Alice Faye at 20th Century-Fox, and Bing Crosby at Paramount. He orchestrated the original version of Irving Berlin’s White Christmas for the film Holiday Inn (1942), and from 1942 to 1946 he served as music director for Republic Photos.<\/div>\n

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From 1948 to 1954, Scharf was the arranger and director of the Phil Harris-Alice Faye radio show.<\/div>\n

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A ten-time Oscar nominee, Scharf worked on more than 100 films, receiving nominations for his musical direction in such pictures as Danny Kaye’s Christian Andersen, Hans (1952), Barbra Streisand’s Funny Girl (1968) and Willy Wonka and the Chocolate Factory (1971).<\/div>\n
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In the early 1960s, he was approached by Harold Lloyd to provide new scores for his silent film compilations. Lloyd consideres Scharf’s ability to mix comedy themes with big and dramatic orchestral touches as ideal for his “thrilling” kind of comedy.<\/div>\n

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Scharf implemented a similar style for the Jerry Lewis Jekyll and Hyde-inspired comedy The Nutty Professor in (1963), working on more than a dozen Lewis comedies in all. He worked on three Elvis Presley films, including Loving You (1957) and King Creole (1958), and with lyricist Don Black, wrote Michael Jackson’s hit single from the film Ben (1972), which earned him a Golden Globe. ; and scored the popular Walking Tall (1973) and its two sequels. In 1973, he and Don Black wrote the music and lyrics for the London musical Maybe That’s Your Problem (Lionel Chetwynd’s book).<\/div>\n

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Scharf composed music for dozens of television dramas, including Ben Casey, The Man from UNCLE, Mission: Impossible, and the 1979 miniseries From Here to Eternity and Blind Ambition, although he became best known for his music for the National Geographic Society and The Undersea World. of Jacques Cousteau’s documentaries, which he composed between 1965 and 1975. He received two Emmy Awards for the Cousteau series, in 1970 and 1974, and composed an original symphonic work, The Legend of the Living Sea, for an exhibition at the Cousteau museum a aboard the RMS Queen Mary in 1971.<\/div>\n

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Scharf’s initial work for the concert hall was The Palestine Suite, written in 1945 and presented at the Hollywood Bowl under the direction of Leopold Stokowski. After retiring from film and television in the 1980s, he returned to writing concerts, notably with The Tree Still Stands: A Symphonic Portrait of the Stages of a Hebraic Man, commissioned by Stephen S. Wise Temple and released in 1989, [1] and the Israeli Suite from 1993. He also wrote an unproduced opera based on Norman Corwin’s The Plan to Overthrow Christmas.<\/div>\n

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Scharf died of heart failure at his home in the Brentwood neighborhood of Los Angeles at the age of 92.<\/div>\n

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Filmography<\/strong><\/div>\n

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\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n
N\u00b0<\/strong><\/td>\nVer<\/strong><\/td>\nA\u00f1o de Publicaci\u00f3n<\/strong><\/td>\n<\/tr>\n
<\/td>\n<\/td>\n<\/td>\n<\/tr>\n
1<\/td>\nJosette (1938)<\/td>\n1938<\/td>\n<\/tr>\n
2<\/td>\nHit Parade<\/td>\n1940<\/td>\n<\/tr>\n
3<\/td>\nPulgares arriba<\/td>\n1943<\/td>\n<\/tr>\n
4<\/td>\nAlguien para recordar<\/td>\n1943<\/td>\n<\/tr>\n
5<\/td>\nEn el viejo Oklahoma<\/td>\n1943<\/td>\n<\/tr>\n
6<\/td>\nLas abejas que luchan<\/td>\n1944<\/td>\n<\/tr>\n
7<\/td>\nLa dama y el monstruo<\/td>\n<\/td>\n<\/tr>\n
8<\/td>\nAtlantic City<\/td>\n1944<\/td>\n<\/tr>\n
9<\/td>\nSerenata de Lake Placid<\/td>\n1944<\/td>\n<\/tr>\n
10<\/td>\nVanidades de Earl Carroll<\/td>\n1945<\/td>\n<\/tr>\n
11<\/td>\nLos tramposos<\/td>\n1945<\/td>\n<\/tr>\n
12<\/td>\nMexicana<\/td>\n1945<\/td>\n<\/tr>\n
13<\/td>\nDakota<\/td>\n1945<\/td>\n<\/tr>\n
14<\/td>\nCasbah<\/td>\n1948<\/td>\n<\/tr>\n
15<\/td>\nEl encanto saj\u00f3n<\/td>\n1948<\/td>\n<\/tr>\n
16<\/td>\nCiudad al otro lado del r\u00edo<\/td>\n1949<\/td>\n<\/tr>\n
17<\/td>\nCa\u00f1\u00f3n rojo<\/td>\n1949<\/td>\n<\/tr>\n
18<\/td>\nDa un paso en falso<\/td>\n1949<\/td>\n<\/tr>\n
19<\/td>\nS\u00ed se\u00f1or, ese es mi beb\u00e9<\/td>\n1949<\/td>\n<\/tr>\n
20<\/td>\nLa chica del bucanero<\/td>\n1950<\/td>\n<\/tr>\n
21<\/td>\nSierra<\/td>\n1950<\/td>\n<\/tr>\n
22<\/td>\nPecador de los mares del sur<\/td>\n1950<\/td>\n<\/tr>\n
23<\/td>\nDeportado<\/td>\n1950<\/td>\n<\/tr>\n
24<\/td>\nEl buf\u00f3n de la corte<\/td>\n1955<\/td>\n<\/tr>\n
25<\/td>\nTabla de tiempo<\/td>\n1956<\/td>\n<\/tr>\n
26<\/td>\nTres personas violentas<\/td>\n1957<\/td>\n<\/tr>\n
27<\/td>\nEl Joker es salvaje<\/td>\n1957<\/td>\n<\/tr>\n
28<\/td>\nEl chico geisha<\/td>\n1958<\/td>\n<\/tr>\n
29<\/td>\nNo renuncies al barco<\/td>\n1959<\/td>\n<\/tr>\n
30<\/td>\nEl botones<\/td>\n1960<\/td>\n<\/tr>\n
31<\/td>\nCinderfella<\/td>\n1960<\/td>\n<\/tr>\n
32<\/td>\nEl hombre de las dama<\/td>\n1961<\/td>\n<\/tr>\n
33<\/td>\nEl chico de los recados<\/td>\n1961<\/td>\n<\/tr>\n
34<\/td>\nEs solo dinero<\/td>\n1962<\/td>\n<\/tr>\n
35<\/td>\nMis seis amores<\/td>\n1963<\/td>\n<\/tr>\n
36<\/td>\nEl profesor chiflado<\/td>\n1963<\/td>\n<\/tr>\n
37<\/td>\nHotel de luna de miel<\/td>\n1964<\/td>\n<\/tr>\n
38<\/td>\nDonde el amor se ha ido<\/td>\n1964<\/td>\n<\/tr>\n
39<\/td>\nChica divertida<\/td>\n1968<\/td>\n<\/tr>\n
40<\/td>\nP\u00e9ndulo<\/td>\n1969<\/td>\n<\/tr>\n
41<\/td>\nSi es martes, esto debe ser B\u00e9lgica<\/td>\n1969<\/td>\n<\/tr>\n
42<\/td>\nEl Cheyenne Social Club<\/td>\n1970<\/td>\n<\/tr>\n
43<\/td>\nWilly Wonka y la f\u00e1brica de chocolate<\/td>\n1971<\/td>\n<\/tr>\n
44<\/td>\nBen<\/td>\n1972<\/td>\n<\/tr>\n
45<\/td>\nCaminando alto<\/td>\n1973<\/td>\n<\/tr>\n
46<\/td>\nCaminando alto parte 2<\/td>\n1975<\/td>\n<\/tr>\n
47<\/td>\nWalking Tall: Cap\u00edtulo final<\/td>\n1977<\/td>\n<\/tr>\n
48<\/td>\nCuando todos los d\u00edas eran cuatro de julio<\/td>\n1978<\/td>\n<\/tr>\n
49<\/td>\nEl esc\u00e1ndalo del incendio de Triangle Factory<\/td>\n1979<\/td>\n<\/tr>\n
50<\/td>\nLa guerra de Scarlett O’H<\/td>\n1980<\/td>\n<\/tr>\n
51<\/td>\nLa hora del crep\u00fasculo<\/td>\n1982<\/td>\n<\/tr>\n
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Cr\u00e9ditos: Tomado de Wikipedia<\/div>\n
https:\/\/en.wikipedia.org\/wiki\/Walter_Scharf<\/a><\/div>\n<\/div>\n