{"id":28211,"date":"2022-08-26T08:31:07","date_gmt":"2022-08-26T14:31:07","guid":{"rendered":"https:\/\/mickyandoniehn.com\/radio\/?page_id=28211"},"modified":"2022-09-01T11:45:08","modified_gmt":"2022-09-01T17:45:08","slug":"ornette-coleman","status":"publish","type":"page","link":"http:\/\/mickyandoniehn.com\/radio\/ornette-coleman\/","title":{"rendered":"Ornette Coleman"},"content":{"rendered":"

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Fecha de Nacimiento:<\/strong> 9 de marzo de 1930<\/div>\n

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Fecha de Fallecimiento:<\/strong> 11 de junio de 2011<\/div>\n

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Biograf\u00eda<\/strong><\/div>\n

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Fue un saxofonista, trompetista, violinista y compositor estadounidense de jazz. Figura fundacional de la vanguardia jazz\u00edstica con un cuarteto en el que estaba Don Cherry, sus innovaciones en el \u00e1mbito del free jazz fueron tan revolucionarias como controvertidas.<\/div>\n

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Inspirado en sus or\u00edgenes por Charlie Parker, comenz\u00f3 a tocar el saxof\u00f3n alto a los 14 a\u00f1os y el tenor dos a\u00f1os despu\u00e9s. Sus primeras experiencias musicales fueron en bandas texanas de R&B, entre las que estaban las de Red Connors y Pee Wee Crayton, pero su tendencia a ser original estil\u00edsticamente le granje\u00f3 hostilidades entre las audiencias y los m\u00fasicos. Coleman se traslad\u00f3 a Los \u00c1ngeles a comienzos de los cincuenta, donde trabaj\u00f3 como t\u00e9cnico de ascensores mientras estudiaba libros de m\u00fasica.<\/div>\n

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Conoci\u00f3 a m\u00fasicos con aspiraciones similares en cuanto a grala originalidad: Don Cherry, Charlie Haden, Ed Blackwell, Bobby Bradford, Charles Moffett y Billy Higgins, pero no fue hasta 1958 (tras numerosos intentos de tocar con los mejores m\u00fasicos de Los \u00c1ngeles) en que Coleman consigui\u00f3 un n\u00facleo de artistas con los que poder tocar su m\u00fasica. Apareci\u00f3 durante un breve per\u00edodo como miembro del quinteto de Paul Bley en el Hillcrest Club y grab\u00f3 dos discos para Contemporary.<\/div>\n

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Con la ayuda de John Lewis, Coleman y Cherry entraron en la Lenox School of Jazz en 1959, y estuvieron durante un largo per\u00edodo en el Five Spot en Nueva York, etapa que alert\u00f3 al mundo del jazz acerca de la llegada de una nueva y radical forma de hacer jazz. Desde ese mismo momento, Coleman fue calificado a partes iguales como genio y como fraude.<\/div>\n

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Date of Birth:<\/strong> March 9, 1930.<\/div>\n

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Date of Death:<\/strong> June 11, 2011.<\/div>\n

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Biography<\/strong><\/div>\n

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Was an American jazz saxophonist, trumpeter, violinist, and composer. A founding figure of the jazz avant-garde with a quartet that included Don Cherry, his innovations in the field of free jazz were as revolutionary as they were controversial.<\/div>\n

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Inspired by his origins by Charlie Parker, he began playing alto saxophone at age 14 and tenor two years later. His earliest musical experiences were in Texas R&B bands, including Red Connors and Pee Wee Crayton, but his tendency to be stylistically original earned him hostility from audiences and musicians.<\/div>\n

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Coleman moved to Los Angeles in the early 1950s, where he worked as an elevator technician while studying music books. He met musicians with similar aspirations for great originality: Don Cherry, Charlie Haden, Ed Blackwell, Bobby Bradford, Charles Moffett, and Billy Higgins, but it wasn’t until 1958 (after numerous attempts to play with the best musicians in Los Angeles) that he that Coleman got a core of artists with whom he could play his music. He appeared for a brief period as a member of the Paul Bley Quintet at the Hillcrest Club and recorded two albums for Contemporary.<\/div>\n

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With the help of John Lewis, Coleman and Cherry entered the Lenox School of Jazz in 1959, and spent a long period at the Five Spot in New York, a stage that alerted the jazz world to the arrival of a radical new way of doing jazz. From that moment on, Coleman was described as both a genius and a fraud.<\/div>\n

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Discography<\/strong><\/div>\n

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\u00a0Genero Jazz<\/strong><\/td>\nEscuchar Musica<\/strong><\/td>\nA\u00f1o<\/strong><\/td>\n<\/tr>\n
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1<\/td>\nSomething Else!:The Music of Ornette Coleman<\/td>\n1958<\/td>\n<\/tr>\n
2<\/td>\nThe Art of the Improvisers<\/td>\n1959<\/td>\n<\/tr>\n
3<\/td>\nThe Shape of Jazz to Come<\/td>\n1959<\/td>\n<\/tr>\n
4<\/td>\nChange of the Century<\/td>\n1959<\/td>\n<\/tr>\n
5<\/td>\nFree Jazz (A Collective Improvisation)<\/td>\n1960<\/td>\n<\/tr>\n
6<\/td>\nThis Is Our Music<\/td>\n1961<\/td>\n<\/tr>\n
7<\/td>\nCrisis (en directo)<\/td>\n1969<\/td>\n<\/tr>\n
8<\/td>\n\u00a0Science Fiction<\/td>\n1971<\/td>\n<\/tr>\n
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