{"id":28192,"date":"2022-08-26T08:24:22","date_gmt":"2022-08-26T14:24:22","guid":{"rendered":"https:\/\/mickyandoniehn.com\/radio\/?page_id=28192"},"modified":"2022-09-01T11:22:33","modified_gmt":"2022-09-01T17:22:33","slug":"lucio-battisti","status":"publish","type":"page","link":"http:\/\/mickyandoniehn.com\/radio\/lucio-battisti\/","title":{"rendered":"Lucio Battisti"},"content":{"rendered":"

\"Lucio<\/p>\n

 <\/p>\n

\n
Fecha de Nacimiento:<\/strong> 5 de marzo de 1943<\/div>\n

 <\/p>\n

<\/div>\n
Fecha de Fallecimiento:<\/strong> 09 de septiembre de 1998 (55 A\u00f1os)<\/div>\n

 <\/p>\n

<\/div>\n<\/div>\n
\n
Biograf\u00eda<\/strong><\/div>\n

 <\/p>\n

<\/div>\n
Lucio Battisti (Poggio Bustone, 5 de marzo de 1943 \u2014 Mil\u00e1n, 9 de septiembre de 1998) fue un cantautor italiano, considerado entre los m\u00e1s grandes e influyentes m\u00fasicos del rock italiano, la balada y la m\u00fasica ligera, tanto como compositor e int\u00e9rprete de su propia m\u00fasica como la de otros artistas.<\/div>\n

 <\/p>\n

<\/div>\n<\/div>\n
\n
Sus comienzos a mediados de los a\u00f1os 60 fueron como autor de canciones para otros artistas. De los textos de las canciones se encargaba el letrista Mogol. En 1966 grab\u00f3 su primer sencillo, Per una lira. Muchas de sus canciones fueron grabadas reiteradamente por innumerables cantantes y grupos, italianos y extranjeros, tales como Mina, Paolo Meneguzzi, I Camaleonti, Patty Pravo, Dik Dik, Antonio Zabaleta, Dyango, Fedra, Ricardo Montaner, Laura Pausini, Emmanuel, etc. Ha vendido m\u00e1s de 25 millones de discos.<\/div>\n

 <\/p>\n

<\/div>\n<\/div>\n
\n
Lucio Battisti fue y sigue siendo considerado como uno de los m\u00fasicos y cantantes m\u00e1s influyentes de la historia de la m\u00fasica popular italiana. Su producci\u00f3n represent\u00f3 un cambio importante y decisivo en la escena del pop italiano a partir de finales de la d\u00e9cada de los a\u00f1os 60.5Influido por bandas anglosajonas de principios de los a\u00f1os 60, pero m\u00e1s a\u00fan por el sonido Rhythm and Blues de Otis Redding o Ray Charles, Lucio Battisti supo conjugar como nadie la tradici\u00f3n mel\u00f3dica puramente italiana con lo mejor del R&B y las corrientes musicales anglosajonas. Lucio Battisti fusiona elementos folcl\u00f3ricos de la m\u00fasica Italiana con el rock y el pop despu\u00e9s de 1970, logrando establecer un sonido muy innovador para entonces y conjuntamente con bandas como Premiata Forneria Marconi, Formula 3 y Alberto Radius. Juntos sellaron las l\u00edneas que la m\u00fasica popular Italiana seguir\u00eda despu\u00e9s de 1970 a trav\u00e9s de trabajos que en un principio fueron mal comprendidos y severamente criticados por un sector de la audiencia, mientras a la vez un p\u00fablico m\u00e1s joven descubr\u00eda el poder de sus ideas musicales.<\/div>\n

 <\/p>\n

<\/div>\n<\/div>\n
\n
Battisti se impuso finalmente con Il mio canto libero, obra que rompi\u00f3 r\u00e9cords de ventas y popularidad e incluy\u00f3 la fusi\u00f3n de los elementos folcl\u00f3ricos, el rock y la corriente progresiva del rock, logrando atraer la atenci\u00f3n de m\u00fasicos de todas partes del mundo. Los trabajos de Battisti y el letrista y poeta Mogol se encaminaron tambi\u00e9n a elevar el talento de otros cantantes italianos; ambos componen discos para Mina y producen grandes \u00e9xitos de la \u00e9poca entre los que se destaca la canci\u00f3n Amor m\u00edo para la obra de Mina Mazzini, que constituye la intensa fusi\u00f3n del poder vocal de la soprano, de las innovadoras melod\u00edas de Lucio Battisti, la intensa letra de Mogol y la presencia de la vanguardia y el rock sinf\u00f3nico con los arreglos de la Premiata Forneria Marconi que acompa\u00f1a la grabaci\u00f3n de estudio.<\/div>\n

 <\/p>\n

<\/div>\n<\/div>\n
\n
Lucio produce otros discos como Il nostro caro angelo (1973) y Anima Latina (1974) que se sumergen profundamente en la vanguardia, la m\u00fasica fusi\u00f3n y el rock progresivo. Destaca en este \u00faltimo la canci\u00f3n La Machina del tempo. Anima latina es considerada una verdadera obra maestra de la m\u00fasica del siglo XX, que incide en un sofisticado complejo r\u00edtmico dif\u00edcil de seguir. En la obra aparecen texturas intrincadas y fusiones que por primera vez hacen su aparici\u00f3n en la m\u00fasica popular. A pesar de que se trat\u00f3 de un disco complejo, grabado bajo un concepto casi herm\u00e9tico, es considerado por la cr\u00edtica como el trabajo mejor desarrollado por el d\u00fao Battisti-Mogol. Ya a estas alturas, variedad de m\u00fasicos latinoamericanos como Charly Garc\u00eda, L.A. Spinetta o Milton Nacimiento hab\u00edan visto en las lejanas tierras de Italia un gran despliegue de genialidad y la inspiraci\u00f3n a ir a\u00fan m\u00e1s lejos desde el rock y la balada, asumiendo una l\u00edrica latinizada que se amalgamaba con las concepciones m\u00e1s anglosajonas de la melod\u00eda.<\/div>\n

 <\/p>\n<\/div>\n

Date of Birth:<\/strong> March 5, 1943<\/p>\n

 <\/p>\n

Date of Death:<\/strong> September 9, 1998 (55 years old)<\/p>\n

 <\/p>\n

Biography<\/strong><\/p>\n

 <\/p>\n

Lucio Battisti (Poggio Bustone, March 5, 1943 – Milan, September 9, 1998) was an Italian singer-songwriter, considered among the greatest and most influential musicians of Italian rock, ballads and light music, both as a composer and performer of their own music as well as that of other artists.<\/p>\n

 <\/p>\n

His beginnings in the mid-1960s were as a songwriter for other artists. The Mogol lyricist was in charge of the texts of the songs. In 1966 he recorded his first single, Per una lira. Many of his songs were repeatedly recorded by countless Italian and foreign singers and groups, such as Mina, Paolo Meneguzzi, I Camaleonti, Patty Pravo, Dik Dik, Antonio Zabaleta, Dyango, Fedra, Ricardo Montaner, Laura Pausini, Emmanuel, etc. He has sold more than 25 million records.<\/p>\n

 <\/p>\n

Lucio Battisti was and still is considered one of the most influential musicians and singers in the history of Italian popular music. Its production represented an important and decisive change in the Italian pop scene from the end of the 1960s. Charles, Lucio Battisti knew how to combine the purely Italian melodic tradition with the best of R&B and Anglo-Saxon musical currents like no other. Lucio Battisti fuses folkloric elements of Italian music with rock and pop after 1970, managing to establish a very innovative sound at the time and together with bands like Premiata Forneria Marconi, Formula 3 and Alberto Radius. Together they sealed the lines that Italian popular music would follow after 1970 through works that were initially misunderstood and severely criticized by a section of the audience, while at the same time a younger audience discovered the power of their musical ideas.<\/p>\n

 <\/p>\n

\n
\n

Battisti finally prevailed with Il mio canto libero, a work that broke sales and popularity records and included the fusion of folk, rock and progressive rock elements, managing to attract the attention of musicians from all over the world. The works of Battisti and the Mughal lyricist and poet were also aimed at raising the talent of other Italian singers; Both composed records for Mina and produced great hits of the time, among which the song Amor m\u00edo stands out for Mina Mazzini’s work, which constitutes the intense fusion of the soprano’s vocal power, the innovative melodies of Lucio Battisti, the intense lyrics by Mogol and the presence of avant-garde and symphonic rock with arrangements by the Premiata Forneria Marconi that accompanies the studio recording.<\/p>\n

 <\/p>\n

Lucio produces other albums such as Il nostro caro angelo (1973) and Anima Latina (1974) that dive deep into avant-garde, fusion music and progressive rock. The song La Machina del tempo stands out in the latter. Anima Latina is considered a true masterpiece of the music of the 20th century, which affects a sophisticated rhythmic complex that is difficult to follow.<\/p>\n

 <\/p>\n

Intricate textures and fusions appear in the work, making their appearance for the first time in popular music. Despite the fact that it was a complex album, recorded under an almost hermetic concept, it is considered by critics to be the best developed work by the Battisti-Mogol duo. Already at this point, a variety of Latin American musicians such as Charly Garc\u00eda, L.A. Spinetta or Milton Nascimiento had seen in the distant lands of Italy a great display of genius and the inspiration to go even further from rock and ballads, assuming a Latinized lyric that was amalgamated with the most Anglo-Saxon conceptions of melody.<\/p>\n<\/div>\n<\/div>\n

<\/div>\n
Discografia<\/strong><\/div>\n

 <\/p>\n

<\/div>\n
\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n
Genero Pop, rock, rock progresivo<\/strong><\/td>\nEscuchar tema<\/strong><\/td>\nA\u00f1o<\/strong><\/td>\n<\/tr>\n
1<\/td>\nI giardini di marzo<\/td>\n1972<\/td>\n<\/tr>\n
2<\/td>\nCon il nastro rosa<\/td>\n1980<\/td>\n<\/tr>\n
3<\/td>\nIl mio canto libero<\/td>\n1972<\/td>\n<\/tr>\n
4<\/td>\nLa Canzone del Sole<\/td>\n1990<\/td>\n<\/tr>\n
5<\/td>\nAncora tu<\/td>\n1976<\/td>\n<\/tr>\n
6<\/td>\nE penso a te<\/td>\n1972<\/td>\n<\/tr>\n
7<\/td>\nMi ritorni in mente<\/td>\n1972<\/td>\n<\/tr>\n
8<\/td>\nPrendila cos\u00ec<\/td>\n1978<\/td>\n<\/tr>\n
9<\/td>\nIo vorrei… non vorrei… ma se vuoi<\/td>\n1972<\/td>\n<\/tr>\n
10<\/td>\nLa collina dei ciliegi<\/td>\n1972<\/td>\n<\/tr>\n
11<\/td>\nPensieri e parole<\/td>\n1971<\/td>\n<\/tr>\n
12<\/td>\nAmarsi Un Po’<\/td>\n1977<\/td>\n<\/tr>\n
13<\/td>\nAcqua azzurra, acqua chiara<\/td>\n1970<\/td>\n<\/tr>\n
14<\/td>\nNon \u00e8 Francesca<\/td>\n1969<\/td>\n<\/tr>\n
15<\/td>\nFiori rosa, fiori di pesco<\/td>\n1970<\/td>\n<\/tr>\n
16<\/td>\nLa luce dell’Est<\/td>\n1977<\/td>\n<\/tr>\n
17<\/td>\nIl tempo di morire<\/td>\n1970<\/td>\n<\/tr>\n
18<\/td>\nDieci ragazze<\/td>\n1970<\/td>\n<\/tr>\n
19<\/td>\nUn’avventura<\/td>\n1969<\/td>\n<\/tr>\n
20<\/td>\nAver paura d’innamorarsi troppo<\/td>\n1978<\/td>\n<\/tr>\n
21<\/td>\nAnche per te<\/td>\n1990<\/td>\n<\/tr>\n
22<\/td>\nBalla Linda<\/td>\n1969<\/td>\n<\/tr>\n
23<\/td>\nIo vivr\u00f2<\/td>\n1969<\/td>\n<\/tr>\n
24<\/td>\nLa cinta rosa<\/td>\n1978<\/td>\n<\/tr>\n
25<\/td>\nDue mondi<\/td>\n1974<\/td>\n<\/tr>\n
26<\/td>\n29 Settembre<\/td>\n1969<\/td>\n<\/tr>\n
27<\/td>\nPer una lira<\/td>\n1969<\/td>\n<\/tr>\n
28<\/td>\nPerch\u00e9 no<\/td>\n1978<\/td>\n<\/tr>\n
29<\/td>\nNessun dolore<\/td>\n1974<\/td>\n<\/tr>\n
30<\/td>\nEmozioni<\/td>\n1969<\/td>\n<\/tr>\n
31<\/td>\n7 e 40<\/td>\n1970<\/td>\n<\/tr>\n
32<\/td>\nEmozioni\u00a0\u00b7\u00a01970<\/td>\n2014<\/td>\n<\/tr>\n
33<\/td>\nUna donna per amico<\/td>\n1978<\/td>\n<\/tr>\n
<\/td>\n<\/td>\n<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n

Creditos tomados de Wikipedia<\/p>\n<\/div>\n

https:\/\/es.wikipedia.org\/wiki\/Lucio_Battisti<\/a><\/div>\n
<\/div>\n