{"id":148,"date":"2021-07-05T06:39:12","date_gmt":"2021-07-05T06:39:12","guid":{"rendered":"http:\/\/mickyandoniehn.com\/radio\/?page_id=148"},"modified":"2022-08-29T09:41:55","modified_gmt":"2022-08-29T15:41:55","slug":"lucho-bermudez","status":"publish","type":"page","link":"http:\/\/mickyandoniehn.com\/radio\/lucho-bermudez\/","title":{"rendered":"Lucho Berm\u00fadez"},"content":{"rendered":"\r\n
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\"\"<\/p>\r\n

 <\/p>\r\n

Nacimiento: <\/strong>25 de enero de 1912<\/p>\r\n

Fallecimiento:<\/strong> 23 de abril de 1994<\/p>\r\n

Biografia<\/strong><\/p>\r\n

Luis Eduardo Berm\u00fadez Acosta (Carmen de Bol\u00edvar, 25 de enero de 1912 – Bogot\u00e1, 23 de abril de 1994) m\u00e1s conocido como Lucho Berm\u00fadez, fue un m\u00fasico, compositor, arreglista, director e int\u00e9rprete colombiano, es considerado uno de los m\u00e1s importantes int\u00e9rpretes y compositores de m\u00fasica popular colombiana del siglo XX.<\/p>\r\n

La importancia de su obra musical radica en haber adaptado ritmos tradicionales colombianos como la cumbia y el porro, en ritmos modernos que se convertir\u00edan en s\u00edmbolos de identidad nacional desde la d\u00e9cada de 1930.<\/p>\r\n

Lucho Berm\u00fadez fue uno de los primeros innovadores que experimentaron con la adaptaci\u00f3n de estos ritmos locales del Caribe colombiano, y que los adaptaron al lenguaje musical contempor\u00e1neo de la \u00e9poca. Su obra tuvo gran impacto en otros pa\u00edses de Am\u00e9rica Latina. Lucho Berm\u00fadez fue tal vez el principal responsable por haber hecho que la cumbia y el porro se convirtieran en estandartes de la m\u00fasica colombiana a nivel internacional desde la d\u00e9cada de 1940. Su obra musical siempre estuvo profundamente influida por los porros y fandangos de la Sabana de Bol\u00edvar y los pueblos costeros de zona norte de Colombia.<\/p>\r\n

Birth:<\/strong> January 25, 1912<\/p>\r\n

Died:<\/strong> April 23, 1994<\/p>\r\n

Biography<\/strong><\/p>\r\n

Luis Eduardo Berm\u00fadez Acosta (Carmen de Bol\u00edvar, January 25, 1912 – Bogot\u00e1, April 23, 1994) better known as Lucho Berm\u00fadez, was a Colombian musician, composer, arranger, director and performer, he is considered one of the most important performers and Colombian popular music composers of the 20th century.<\/p>\r\n

The importance of his musical work lies in having adapted traditional Colombian rhythms such as cumbia and porro, into modern rhythms that would become symbols of national identity since the 1930s. Lucho Berm\u00fadez was one of the first innovators who experimented with the adaptation of these local rhythms of the Colombian Caribbean, and that adapted them to the contemporary musical language of the time. His work had a great impact in other Latin American countries. Lucho Berm\u00fadez was perhaps the main person responsible for having made cumbia and porro become standards of Colombian music at an international level since the 1940s. His musical work was always deeply influenced by the porros and fandangos of the Sabana de Bol\u00edvar and the coastal towns of northern Colombia.<\/p>\r\n

Discografia<\/strong><\/p>\r\n\r\n\r\n\r\n\r\n\r\n\r\n\r\n\r\n\r\n\r\n\r\n\r\n\r\n\r\n\r\n\r\n\r\n\r\n\r\n\r\n\r\n\r\n\r\n\r\n\r\n\r\n\r\n\r\n\r\n\r\n\r\n\r\n\r\n\r\n\r\n\r\n\r\n\r\n\r\n\r\n\r\n\r\n\r\n\r\n\r\n\r\n\r\n\r\n\r\n\r\n\r\n\r\n\r\n\r\n\r\n\r\n\r\n\r\n\r\n\r\n\r\n\r\n\r\n\r\n\r\n\r\n
Temas Cumbia<\/strong><\/td>\r\nEscuchar tema<\/strong><\/td>\r\nA\u00f1o de Publicacion<\/strong><\/td>\r\n<\/tr>\r\n
\u00a0<\/td>\r\nLucho En el Tequendama<\/strong><\/td>\r\n1963<\/strong><\/td>\r\n<\/tr>\r\n
1<\/td>\r\nLucho En El Tequendama<\/td>\r\n\u00a0<\/td>\r\n<\/tr>\r\n
2<\/td>\r\nLina<\/td>\r\n\u00a0<\/td>\r\n<\/tr>\r\n
3<\/td>\r\nBaila Negra<\/td>\r\n\u00a0<\/td>\r\n<\/tr>\r\n
4<\/td>\r\nVendr\u00e1s A Mi<\/td>\r\n\u00a0<\/td>\r\n<\/tr>\r\n
5<\/td>\r\nTumbason En Bogot\u00e1<\/td>\r\n\u00a0<\/td>\r\n<\/tr>\r\n
6<\/td>\r\nMono Fabio<\/td>\r\n\u00a0<\/td>\r\n<\/tr>\r\n
7<\/td>\r\nRomea<\/td>\r\n\u00a0<\/td>\r\n<\/tr>\r\n
8<\/td>\r\nCuanto Mas Juntos Mejor<\/td>\r\n\u00a0<\/td>\r\n<\/tr>\r\n
9<\/td>\r\nManizale\u00f1a<\/td>\r\n\u00a0<\/td>\r\n<\/tr>\r\n
10<\/td>\r\nTumbason En Caracoli<\/td>\r\n\u00a0<\/td>\r\n<\/tr>\r\n
11<\/td>\r\nYo Se Que Volveras<\/td>\r\n\u00a0<\/td>\r\n<\/tr>\r\n
12<\/td>\r\nDiana Maria<\/td>\r\n\u00a0<\/td>\r\n<\/tr>\r\n
13<\/td>\r\nPrimis Player Placeholder<\/td>\r\n\u00a0<\/td>\r\n<\/tr>\r\n
\u00a0<\/td>\r\n\u00a0<\/td>\r\n\u00a0<\/td>\r\n<\/tr>\r\n
\u00a0<\/td>\r\nColombia de Oro Vol. 11<\/strong><\/td>\r\n1978<\/strong><\/td>\r\n<\/tr>\r\n
1<\/td>\r\nSabrosita<\/td>\r\n\u00a0<\/td>\r\n<\/tr>\r\n
2<\/td>\r\nBrincando<\/td>\r\n\u00a0<\/td>\r\n<\/tr>\r\n
3<\/td>\r\nCaprichito<\/td>\r\n\u00a0<\/td>\r\n<\/tr>\r\n
4<\/td>\r\nLa Muerte De Pedro Castro<\/td>\r\n\u00a0<\/td>\r\n<\/tr>\r\n
5<\/td>\r\nPachito Eche<\/td>\r\n\u00a0<\/td>\r\n<\/tr>\r\n
6<\/td>\r\nEl Parrandero<\/td>\r\n\u00a0<\/td>\r\n<\/tr>\r\n
7<\/td>\r\nGaita Caliente<\/td>\r\n\u00a0<\/td>\r\n<\/tr>\r\n
8<\/td>\r\nPuerta De Oro<\/td>\r\n\u00a0<\/td>\r\n<\/tr>\r\n
9<\/td>\r\nDiana Maria<\/td>\r\n\u00a0<\/td>\r\n<\/tr>\r\n
10<\/td>\r\nFiesta De Negritos<\/td>\r\n\u00a0<\/td>\r\n<\/tr>\r\n
11<\/td>\r\nNi Cuerpo Ni Corazon<\/td>\r\n\u00a0<\/td>\r\n<\/tr>\r\n
12<\/td>\r\nTio Rafa<\/td>\r\n\u00a0<\/td>\r\n<\/tr>\r\n
\u00a0<\/td>\r\n\u00a0<\/td>\r\n\u00a0<\/td>\r\n<\/tr>\r\n
\u00a0<\/td>\r\n50 A\u00f1os de Musica<\/strong><\/td>\r\n1980<\/strong><\/td>\r\n<\/tr>\r\n
1<\/td>\r\nTolu<\/td>\r\n\u00a0<\/td>\r\n<\/tr>\r\n
2<\/td>\r\nCadetes Navales<\/td>\r\n\u00a0<\/td>\r\n<\/tr>\r\n
3<\/td>\r\nNochebuena<\/td>\r\n\u00a0<\/td>\r\n<\/tr>\r\n
4<\/td>\r\nLos Primos Sanchez<\/td>\r\n\u00a0<\/td>\r\n<\/tr>\r\n
5<\/td>\r\nPrende La Vela<\/td>\r\n\u00a0<\/td>\r\n<\/tr>\r\n
6<\/td>\r\nCarmen De Bolivar<\/td>\r\n\u00a0<\/td>\r\n<\/tr>\r\n
7<\/td>\r\nGaiteando<\/td>\r\n\u00a0<\/td>\r\n<\/tr>\r\n
8<\/td>\r\nDanza Negra<\/td>\r\n\u00a0<\/td>\r\n<\/tr>\r\n
9<\/td>\r\nGloria Maria<\/td>\r\n\u00a0<\/td>\r\n<\/tr>\r\n
10<\/td>\r\nBorrachera<\/td>\r\n\u00a0<\/td>\r\n<\/tr>\r\n
11<\/td>\r\nColombia Tierra Querida<\/td>\r\n\u00a0<\/td>\r\n<\/tr>\r\n
12<\/td>\r\nPlinio Guzman<\/td>\r\n\u00a0<\/td>\r\n<\/tr>\r\n
13<\/td>\r\nSan Fernando<\/td>\r\n\u00a0<\/td>\r\n<\/tr>\r\n
14<\/td>\r\nSalsipuedes<\/td>\r\n\u00a0<\/td>\r\n<\/tr>\r\n
15<\/td>\r\nTina<\/td>\r\n\u00a0<\/td>\r\n<\/tr>\r\n
16<\/td>\r\nFiesta De Negritos<\/td>\r\n\u00a0<\/td>\r\n<\/tr>\r\n
17<\/td>\r\nPalito De Escoba<\/td>\r\n\u00a0<\/td>\r\n<\/tr>\r\n
18<\/td>\r\nTaganga<\/td>\r\n\u00a0<\/td>\r\n<\/tr>\r\n
19<\/td>\r\nArroz Con Coco<\/td>\r\n\u00a0<\/td>\r\n<\/tr>\r\n
20<\/td>\r\nDoble Cero<\/td>\r\n\u00a0<\/td>\r\n<\/tr>\r\n
\u00a0<\/td>\r\n\u00a0<\/td>\r\n\u00a0<\/td>\r\n<\/tr>\r\n
Lucho y Jaime Llano Gonzales<\/strong><\/td>\r\nExellente<\/strong><\/td>\r\n1983<\/strong><\/td>\r\n<\/tr>\r\n
1<\/td>\r\nTolu \/ Diana Maria<\/td>\r\n\u00a0<\/td>\r\n<\/tr>\r\n
2<\/td>\r\nCumbia En Dominante \/ Cumbia Cienaguera<\/td>\r\n\u00a0<\/td>\r\n<\/tr>\r\n
3<\/td>\r\nLamento Naufrago \/ Pachito Eche<\/td>\r\n\u00a0<\/td>\r\n<\/tr>\r\n
4<\/td>\r\nNavidad Negra \/ El A\u00f1o Viejo<\/td>\r\n\u00a0<\/td>\r\n<\/tr>\r\n
5<\/td>\r\nLa Mucura \/ Prende La Vela<\/td>\r\n\u00a0<\/td>\r\n<\/tr>\r\n
6<\/td>\r\nLa Piragua \/ Nelly<\/td>\r\n\u00a0<\/td>\r\n<\/tr>\r\n
7<\/td>\r\nLigia \/ En San Felipe<\/td>\r\n\u00a0<\/td>\r\n<\/tr>\r\n
8<\/td>\r\nYo Me Llamo Cumbia \/ Borrachera<\/td>\r\n\u00a0<\/td>\r\n<\/tr>\r\n
9<\/td>\r\nQuiero Amanecer \/ La Pollera Colora<\/td>\r\n\u00a0<\/td>\r\n<\/tr>\r\n
10<\/td>\r\nBoquita Sala \/ Cumbia Sampuesana<\/td>\r\n\u00a0<\/td>\r\n<\/tr>\r\n
\u00a0<\/td>\r\n\u00a0<\/td>\r\n\u00a0<\/td>\r\n<\/tr>\r\n<\/tbody>\r\n<\/table>\r\n<\/figure>\r\n<\/div>\r\n","protected":false},"excerpt":{"rendered":"

  Nacimiento: 25 de enero de 1912 Fallecimiento: 23 de abril de 1994 Biografia Luis Eduardo Berm\u00fadez Acosta (Carmen de Bol\u00edvar, 25 de enero de 1912 – Bogot\u00e1, 23 de abril de 1994) m\u00e1s conocido como Lucho Berm\u00fadez, fue un m\u00fasico, compositor, arreglista, director e int\u00e9rprete colombiano, es considerado uno de los m\u00e1s importantes int\u00e9rpretes …<\/p>\n","protected":false},"author":1,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"open","ping_status":"closed","template":"","meta":{"footnotes":""},"class_list":["post-148","page","type-page","status-publish",""],"jetpack_sharing_enabled":true,"_links":{"self":[{"href":"http:\/\/mickyandoniehn.com\/radio\/wp-json\/wp\/v2\/pages\/148","targetHints":{"allow":["GET"]}}],"collection":[{"href":"http:\/\/mickyandoniehn.com\/radio\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"http:\/\/mickyandoniehn.com\/radio\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"http:\/\/mickyandoniehn.com\/radio\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"http:\/\/mickyandoniehn.com\/radio\/wp-json\/wp\/v2\/comments?post=148"}],"version-history":[{"count":2,"href":"http:\/\/mickyandoniehn.com\/radio\/wp-json\/wp\/v2\/pages\/148\/revisions"}],"predecessor-version":[{"id":29232,"href":"http:\/\/mickyandoniehn.com\/radio\/wp-json\/wp\/v2\/pages\/148\/revisions\/29232"}],"wp:attachment":[{"href":"http:\/\/mickyandoniehn.com\/radio\/wp-json\/wp\/v2\/media?parent=148"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}